These thoughts are in my mind daily. I take care of my 91 year old father. I'm certain he has dementia but I can't get his doctor to diagnose him. He can easily pass a competency test, even though he is no longer competent. My mind is messy, to say the least.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
For May 10th, today is the day for bubbles.
For this day, I decided to make Equilor, who, while swimming, came across a strange oyster, which, when opened, released the bubble motor
In this sketch, I drew myself during the time I lived in Kyiv for a couple of months.
It was one of those clear, sunny days when you really want to go outside - but all my friends were busy, and I was too tired of wandering around alone.
So I just sat on the carpet, staring out at the balcony, watching the blue sky, the clouds... and the occasional freshwater seagull flying by
A person is depicted wearing a large pet recovery cone around their neck, trying to check his smartphone with the words "Digital Detox" prominently displayed. The image humorously comments on the idea of needing a barrier to reduce phone usage.
I have been binging on the older X-Men shows and had the urge to draw up one of their most popular mutants. But what's better than Wolverine? TWO WOLVERINES!
Now, I wasn't really sure what I was trying to do with these two. At first, I tried to have them just do a handshake but then switched it over to them competing. Still not convinced on what these two are doing but it was fun to draw so all is good.
Question for all the X-Men fans out there. Which version of Wolverine is your favorite?
first attempt at drawing the back of an character,it was easy since Lime Verde is circular.Major Lime Verde is an old but competent fruit who has successfully stopped drug and arms smuggling in most parts of the city,even crime which of course angers many kingpins.shortly after his 2nd term he gets in a freak accident caused by Paxton Pomegranate (a crook who has ties with a drug lord)for firing him.Paxton soon finds and contracts a replacement.a fitness trainer who happens to be a himbo along with his ditzy although smarter girlfriend.Verde soons finds himself helpless and amnesiac.
Impalla, Wart Hog and Topi is a strange painting of a young doll like female puppet head with large intimidating eyes. The scary doll head puppet looks like a frozen predator. Her expression almost ferrel but still oddly innocent at the same time. I chose the vintage storybook background based on the mottled rich tones of the paper itself and the fact that the title refers to prey and predators in Africa. It is an excerpt from an old African adventure story. I love the arresting expression and bright colours of this painting. She has great stopping power and evokes all kinds of emotions.
A portrait painting of a vintage dislocated puppet head. Created with mixed media including vintage storybook pages, old photographs and stamps. Pen and ink, gouache, and watercolours.
