I don't know why these all upload sideways, but here's my latest work for the sketchbook. I created the electric field pattern and printed it on photo paper then doodled these rainbow trout (at the suggestion of my friend Andrew) and glued them on.
Sakura Pigma Micron pen and DR PH Martin Radiant Concentrated Watercolors. One side was painted, then embellished with ink, scanned into Photoshop, copied, flipped and pasted to make the two sides. (Fairly large image, so I included a couple of details.) Silly but fun to do. A little "acid" and a few hours of gazing is all you need for a profound experience. Ask me how I know.
I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
For this series, I'm trying to hone my beginner skills by focusing on the architecture of each strange creature through reference photos, while also using it as a log for interesting animal facts.
Horses ... These noble animals have always been a source of inspiration for every artist, sculptor, photographer and will never cease to delight us as one of the most successful creations of God, pleasing the eye and soul with graceful forms.
Hi! I just now created this page because I have a problem!! I love the idea of drawing (digital, graphite, markers, microns you name it), BUT I never actually get anything finished. It's a curse that has haunted me my entire life. Any good advice on how to stay consistent and follow through with your drawings? This one I've been doodling with Sketchable, using the photo to the left as reference just to eyeball off. I worked on it for a few days and was super inspired and now a year has passed from that (!!!) and It's still in this stage of almost done but I'm struggling with getting back into it..
Lightness 4: when a levity hurls us away.
This serie started with the purpose of paining people literary threw away from small ordinary objects like flowers of balloons. I wanted to depict the strength and the power that trifles have on us. Eventually ithey paintings became more and more “stable”, with just a touch of surrealism in them.
I kindly thank Ale for posing for me with patient. Thanks to her hair style, I am pretty sure you can recognize her in my last paintings ;)
We had our yearly meeting (via Skype this year, rather than in person) with our financial adviser. It was an hour spent drawing this giraffe during the call. She's referenced from an on-line photo.
This painting was developed from a photo shoot at Presquile Provincial Park in Ontario, Canada. The bobcats were designed and posed by myself. The details of the fur were from research.
![Manuel [PiPs] Pires](/images/users/avatar/28064_zenpips_881668.jpg)
