Haven't drawn the thorny trio in a while because I have way too many ocs.i tried to replicate the same style of drawings from the middle ages but due to my lack of skills I haven't really been the best in doing so.anyway the three are devouring mortal souls.i imagined it better in my head honestly
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Her cool casual style became the thing of the portrait. Just take a look at her amazing pink hair! Unlike real life, in our portraits, the vivid hair color will never wash off
Olivia’s special request was to capture her wonderful freckles, so Chimkoko did great work tried not to miss any of them. Our artists are always ready to embody your ideas into reality with an eye for detail!
Another work created in Lockdown in Berlin. Drawn on a piece of drafting paper from an ingenieering student in Leipzig, 1923. Like the cellar it was found in, it expresses a longing to be outside. A longing to feel of use, a job to go to or someone to visit. It is confusion and patience drawn out thin and ready to snap at any moment.
Probably spent too long on this one, plus lower resolution cause the file size was too large. Downtown area of an average city, though typically it's more crowded. Hope you like it. (made with krita)
The time has come,' the Walrus said,
To talk of many things:
Of shoes — and ships — and sealing-wax —
Of cabbages — and kings —
And why the sea is boiling hot —
And whether pigs have wings.’
From Lewis Carroll's "The Walrus and the Carpenter"
It’s easier to remain silent for someone
whose words only ever got twisted.
(spoke in other forms though)
Running from what?
Nothing. And everything.
Until they fell off the edge - or flew-
and plunged into an epiphany where words can’t
even translate,
can’t touch you.
“Don’t you come looking for me”
on the wind.
I’ve really been enjoying ink lately - whether pen or Micron inks - it’s been a fun style to try. This was interesting, something different to a typical city street view.
(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
Inspired by Stephen Gammell and Scary Stories to Tell in The Dark.
1. Graphite Powder
2. Charcoal
3. Charcoal Powder
4. Kneaded Eraser
5. Electric Eraser
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
hello:) the themesong of my favourite series is stuck in my head and i love it. drew this some time ago. love to sit under a tree drawing, reading or just look at the sky and this inspired this drawing hihi. have a nice day!:)
