(HB pencil on a 139mm x 87mm postcard) It's not surprising that the pandemic would inspire me to do a work such as this. How could it not? It shows both the growing need for social interaction people have in isolation, along with the need to protect themselves. These two things have come together in a piece depicting a strange group of gate-crashing party-goers.
A moody, very busy day. I did an ink wash of the beach today, but I'm posting the last piece I drew in the studio instead. I miss the studio and friends there.
I did this piece for Christmas. I got some Princeton brushes as a gift, so I figured I’d make a painting (Princeton brushes are awesome, by the way. If you can afford them, buy them). I hope you enjoy, and I will try and post often.
These are the results from a request to create a piece based on a fathers son's nicknames. The older brother is the moon, second the bear, third the bird. Added the stars as the parents.
His first request was of a tattoo of sorts ...but I struggled and my drawings kept turning into children illustrations. I so enjoyed the challenge and it gave me an opportunity to honor the love of family. At the same time, it was hard to associate them into a tattoo:) .
(...) En ese preciso momento, en el que soltaba aire y respiraba de nuevo, sus ojos fijaron la mirada de repente en un punto. Un pequeño punto de su universo que había cambiado de color. Se acercó al objeto de su curiosidad y se encontró con una pequeña flor. Una flor que no había visto nunca antes. Con un color raro que no conocía. No era del azul del cielo ni del blanco de las estrellas ni del verde que tanto conocía de las copas de los arboles. Era de un color entre el suelo y el cielo. Un morado vivo que rompía con todo lo que se encontraba a su alrededor. Una flor que hizo que todos los otros colores se volvieran pequeños en un instante a la vista de Zaya.
No se atrevió a tocarla, por miedo a hacerle daño, o a que se rompiese (...)
In this piece I tried to show how some people will drain the confidence and personality of other people and they are just overflowing with power and negativity. This is a picture of my art teacher and a prop that I used to get my imagination in paper.. Medium: Charcoal, Prismacolor
Réalisation du portrait de @Olivia de Lamberterie dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Haven't posted for a while, I've been crazy busy but also feeling pretty flat to be honest so I've been drawing weird little floppy cats to cheer myself up a bit. Today one of them made it onto the back of my drawing board. Acrylic paint and sharpie markers :)
Réalisation du portrait de @William Leymergie dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @Nathanaël de Rincquesen dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @ Laurent Bignolas dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. Laurent Bignolas est un journaliste, syndicaliste et animateur de télévision français dans l’émission Télématin sur France 2.
I had a time, when monkeys were featured very often in my artworks. Even now, they emerge in the story-lines. Amazing creatures! This sketchbook piece is done using graphic markers, posca and pen.
I am a professional Healer, and I believe in stepping up to shed our past, so that we can become the best version of ourselves. Then we're happier, and those around us become happier - the ripple effect is both needed and profound! I love drawing in my orange sketchbook that my hubby bought me.
While I was drawing this months ago, my tablet pen fell apart in my hand. It was bizarre and shocking, and then I completely forgot about this piece even existed. The print that almost never was.