piece

Burning through gum as quickly as I do provides you with many blank wrappers. Another in-class doodle.

I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.

Only took like 2 hours. Honestly, this is the hardest I have EVER worked on a digital piece. Surprised I even got this finished in one sitting because I have been pretty nauseous today. @Hirsch I hope I didn't mess up qwq. By the way, are we friends? Sorry if I seem weird for a stranger but I just need a quarantine buddy. It's ok if we aren't, I understand, I'm only a random kid on a platform of other strange people, so it's alright indeed. (P.S. I'm in a super good mood today because I got a new Furby :3 I'm so weird)

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

"Monochrome Serenity: Candles, Blooms, and Foliage" is an exquisite black and white charcoal artwork that captures the tranquil essence of its subjects. The subtle interplay of shadows and highlights accentuates the delicate beauty of flickering candles, graceful flowers, and lush plant life. This piece evokes a sense of calm and harmony, allowing the viewer to find peace in its serene simplicity.

This delightful black-and-white drawing captures the lively and playful essence of a whimsical animal parade. Bursting with creativity, each animal character showcases unique traits and expressions, bringing a joyful scene to life. From the adorable, tiny mice balancing on top of each other to the elegant elephants dancing gracefully, the artwork is a breathtaking celebration of harmony and fun in the animal kingdom. With its intricate details and enchanting charm, this piece invites viewers to step into a world of imagination and whimsy where animals parade with joy and carefree spirit.

Inspired by a piece done by Justin O' Neal

Another Ed Edd n Eddy piece- traditionally drawn, brush pen for linework, then digitally colored.

Where all the pieces get put together.

A piece for an abandoned 5E adventure module; a portrait of the eccentric and reclusive host and owner (and victim) of the manor at which a garden party is interrupted by an unexpected murder.

The third and the last piece of my bar drawings. (Felt-pen. 2012)

. . . Whimsy and nostalgia all entwined in an inky world of discovery . . . This piece was the last piece of artwork my Grandmother got to see of mine before she passed into the Lord's presence this past summer

White on Black trial and error piece, well excited how it turned out for a first.

A commission piece in progress....graphite!

Things have been so busy of late and my output has greatly reduced. However, I have returned to oil painting. I revisited this piece I started last year and put in a few more hours to finish it. The scene was from a few summers ago when I visited Pen Arthur forest for the first time. The piece takes me right back to that day when the late summer afternoon sunlight struggled to penetrate the canopy.

Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.

A quick watercolour sketch of Cwm Berwyn Forest. Well worth doing as I have a much better idea of what to do and what not to do for the final piece.

I laid down the initial layer of this large piece in pencil about a year ago and finally returned to it this weekend to add accents in ink.

Another inktober2020 drawing combining 6 rodent 7 fancy and 8 teeth. Lumin, A blue blooded vampire of mine, apparently does not enjoy his furry visitor arriving without a proper invitation. I tried experimenting with a low single point perspective for this piece and I think It turned well, except for maybe the thumb I forgot was a thumb midway through drawing.

Love for peaceful. Period.

My first attempt at drawing a piece inspired by the art in my favorite childhood book series Scary Stories to tell in the dark. I am actually rather happy with this piece even though some details are a bit off. Comments and critique always welcome. ♡♡

Uncolored, unfinished lineart for my Faust piece I posted earlier.

This is a piece I did a while ago, and it's definitely become one of my favorites. 18x24, acrylic on canvas.

This piece was made only by using sharpies and then red paint. I was inspired by Julia Hill`s beautiful work to create this.

I painted Van Gogh's irises on my kithen cupboard door. We needed to put a door on the space where the microwave used to sit but we couldn't get one to match the rest of the cupboards so we got a piece of board and I painted it with acrylic paints and varnished it.

I drew my cat squeaks. I was hoping y’all would be able to give me some feedback on my art please? I haven’t drawn in over 16 years and this is my first piece since then. I’m also adding the picture I used as inspiration.

hi! here are some little self portraits in a semi-lineless and more cartoony style. i'm pretty pleased! my hair at the moment is probably closest to the second from the right, but the middle head is probably my fav style to have it in. hope y'all are having a lovely day and like this little piece! xoxo honey

Study from Pierre-Narcisse Guérin masterpiece "Aurora et Cephalus"

A fun experiment with some left over pieces of matting/framing cardboard. Watercolour, white and black markers.

This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :)) This is available as an a3 sized print.