Pencil drawing I did a number of years ago. Self portrait of myself with my mare, Chia. Graphite on bristol board. Took probably about 40 hours. This particular piece is sold.
I wish I had more time to redraw this, I'm learning construction with this piece. While I'm satisfied that I have made improvements in learning about the human form, this still just looks bad. Due to lack of time, and practice. I'll get better with time and patience.
This is my first full landscape project that I painted for a skillshare course. It was frustrating at times but I really enjoyed working through the multiple steps of this painting. I wanted to see what I could do it I pushed myself and I am happy with the final painting. I need to focus some more study on trees in the future, I like how the foreground tree came out, the forest edge was much more difficult. I attached the progess photos of this painting from sketch to final piece
I painted this as my project piece for course on Skillshare: https://skl.sh/2O4p8Gp
Here are my progess photos: https://www.skillshare.com/projects/Sacred-Valley/209235
This is a piece I did for a short film about the life of a victim of sexual abuse, after all the court cases and conviction. The film wanted to show the side that you don't see, the director wanted me to paint a picture capturing that emotion. Although I have never been through it personally so I cant speak on the feeling, I hope this makes you think about someone who has been having a battle in their mind. Give them some love !
For this piece I used acrylic paints and acrylic markers. My inspiration was my love of tattoo flash and traditional/neo-traditional tattoo designs. I grew up flipping through pages of tattoo flash catalogues and the art inside was a huge influence in my own art. Some of these pieces are my versions of popular designs and some are originals.
This drawing was done with pen and colored pencil. I wanted to create a self-portrait that could also serve as a profile picture for my art accounts. My other self-portraits tend to be realistic, so I decided to try and depict myself in my own illustrative style instead. My artistic influences for this piece include tattoo styles, pinup art, and art nouveau as well as inspiration taken from some of my favorite portrait artists, Sargent and Rockwell.
My fiancé's aunt just had a birthday. I asked what she is into for this piece. "She likes Hello Kitty, flamingos, the beach, and volleyball." This is what I came up with.
This is the first canvas in the work.Its based on a sketch I did. I did five pieces, and this is #1.It is a self portrait.The reason for three figures is that it is meant to repersent motion.
A landscape that I did about my father while he was alive. He was a sheep farmer and he planted tress on his hill farm.This is done in memory of him as he died from cancer.Its a finished piece and based on sketches I did. Its an acrylic painting and 1/10 in a body of work.
This feels like it could be a fun kids activity page. When I started this doodle it was just the hill with the tunnel maze and a few things added in the maze area. It didn’t feel like it was going anywhere, but as I kept adding things I started to get into it and now I’m happy that I didn’t ditch it. It’s always fun when a piece surprises me. It never gets old.
A vibrant exploration of color and line, this piece captures the ephemeral beauty of red plum blossoms in a textured, contemporary sketch style. Perfect for those who appreciate the intersection of traditional botanical themes and modern, expressive artistry.
A vibrant, hand-rendered standing strawberry illustration featuring rich textures and expressive marker strokes. This piece captures the organic beauty of summer fruit through a modern, illustrative lens.
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
A moment suspended between departure and arrival. Interim explores transition—where movement pauses, direction is uncertain, and meaning exists in the waiting. Rendered with restraint and negative space, the piece invites reflection on the quiet spaces between what was and what will be.
