I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
This piece is called, ‘Mrs Victoria,’ I created this for a friend in 2018. This is on a canvas. I use acrylic paint. This was a request, he was telling me the type of art that he wanted to give his girlfriend for her birthday. I love challenges as an artist, and it helps me to try new things in my art. My style is kind of versatile. He brought the piece, for his girlfriend. They both loved it. Prints of this piece is now on sale on my ArtPal site. Click on my links on page( where it says, click on my website) part of the proceeds of each sale will go to a charity.
Photography I created back in 2014, called 'A Lost Light In A World Of A Battle Field', This piece is about how things can always turn around for the better, there’s always a light At the end of the tunnel. Prints of this piece is now on sale, on my ArtPal site. Part of the proceeds goes to a good cause, charity. Click on link on my page (Click on my website) link to get to my ArtPal.
This piece is on a canvas. I use acrylic.
Prints are on sale on my ArtPal site.
Part of the proceeds will go to a planet charity.
Click on the (My website ) link on my page.
I started messing about with line and wash. I really enjoyed the speed and looseness of working on this piece. In hindsight, I'm wondering if it would be worth working on a larger, more considered version as there is quite a lot of nice texture that is missing here. Pen & watercolour on watercolour paper (4x6").
"Chameleon, you're free again, my child." I think using song lyrics may be slightly cheating...but it is quoted text... I feel like I haven't made a 'purposeful' piece in a bit, so this drawing felt even better to make. There have been multiple ups and downs lately. Frustration, self-hate, and anxiety can take many forms, and eventually I lose sight of what they started as. I heard this song for the first time a few months ago and it's really been stuck in my head recently for various reasons. I don't know, sometimes music provides an escape that even art can't.
A colour sketch of woodland near my home. I'm still not sure whether to turn this into a larger piece or not - or maybe I could switch medium and try it in watercolour?
A colour study for a larger piece. Unfortunately with the larger piece, I screwed up with the thick over thin rule and consequently, the paint cracked after a few months. Frustrated at having to start it again, but lesson learnt.
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A colour sketch of Llyn Brianne in preparation for a much larger piece. The sketch was done in acrylic, but then I changed my mind and started the full-sized piece in oils.
A 4x6" colour sketch of Amroth Beach, Pembrokeshire in preparation for a much larger piece. The light that day was gorgeous, but the level of detail in the distance really could do with a larger canvas to make the most of it.
A 4x6" colour sketch of Sgwyd Gwladys in preparation for a much larger piece. Sgwyd Gwladys is a beautiful waterfall - one of many on the Neath 'Waterfall Country' walking route starting in Pontneddfechan.
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If I got a penny for every time I drew vent art and it ended up being a hecking masterpiece, I'd have enough money to pay someone to draw vent art FOR me. Drawn with FireAlpaca.
(HB pencil on 120mm x 100mm paper) A dreamscape piece (automatic drawing) which seems to have an almost planetary feel to it with the glowing orb and the line of spheres which developed.
Acrylic on Paper. I painted this as an exercise, fully expecting to fail, but walked away with this nifty piece instead. I've recently been growing a lot in my painting ability, and this was a big victory for me.
Lucy Gray Baird of the Covey Baird! I finished this one a while ago, but I haven't uploaded in ages... This is maybe my fourth piece of digital artwork? Anyway, the shading was really fun, as was the pose.