I started by thinking up the most awful things I could, which wasn't particularly difficult. When I had made things as awful as possible I took a run and bounced off the floor and flew away from everything, leaving it all behind me in a deep well. Down there the whole town was burning. Down there Poppolino was padding around in the studio in the dark screaming with loneli-ness. Down there sat the crow saying: it was your fault that I died. And the Unmentionable Thing crawled under the mat.
But I just went on flying.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A vibrant, hand-rendered standing strawberry illustration featuring rich textures and expressive marker strokes. This piece captures the organic beauty of summer fruit through a modern, illustrative lens.
#23 Dizzie the Cat, my OG sonic fan-character - I Haven’t drawn anything in a long time because I feel like Ai has devalued artists and my stuff was never popular anyways. I don’t know what possessed me to draw this last night. But remember back in the day when people drew their own Sonic fan characters on deviant art? Well, I finally gave in and created my own.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
A whimsical unicorn rides a waffle ice cream cone, leaving a colorful rainbow mane trail. Its playful posture adds charm comunicating freedom, happyiness and joy.
For this piece I used acrylic paints and acrylic markers. My inspiration was my love of tattoo flash and traditional/neo-traditional tattoo designs. I grew up flipping through pages of tattoo flash catalogues and the art inside was a huge influence in my own art. Some of these pieces are my versions of popular designs and some are originals.
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Post London / Stray Kids gig reflection time…
Never thought I’d be gushing about those guys through my art, but who cares? Here’s a band who knows how to put on a good show! Amazing stuff :-)
