"He'd forgotten how to keep his head from popping off in outer space. Why was he here again?" ~ A blackout poem from a recycled page of Dealing with Blue, a young adult romance.
28/06/17 - one example of June - one drawing a day challenge - all of June's drawings include a rock/pop star of my choosing and a little feathered friend. Check out more at www.martinvarennescooke.com
This piece began as a multi-colored abstract . . . but it was nowhere . . . nothing . . . and had no essence. So, I tried to take it in the direction of a landscape . . . and that was horrible. I gave the entire piece a whitewash using a white acrylic paint pen. And then the idea popped into my head to Doodle over the colored background. The title reflects the fact that the piece only came to life with the addition of the Doodles . . .
(Black biro on a 75mm x 125mm notecard) A juxtaposed image of a comic book type image with an unrelated speech caption. The type of thing you tend to hear from those on their mobile phones on buses.
(2B pencil on a 139mm x 87mm postcard) A single comic book frame can sometimes tell a great story on its own, sometimes differing from the story in the actual comic book. An idea that I used with this frame that I drew.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
I have been binging on the older X-Men shows and had the urge to draw up one of their most popular mutants. But what's better than Wolverine? TWO WOLVERINES!
Now, I wasn't really sure what I was trying to do with these two. At first, I tried to have them just do a handshake but then switched it over to them competing. Still not convinced on what these two are doing but it was fun to draw so all is good.
Question for all the X-Men fans out there. Which version of Wolverine is your favorite?
Take note that the "chalice" that had the eye pop out isn't Ms.Chalice. And the giant eyeball's Mugman, cause it freaked him out badly. And is from this episode of "The Shnookums & Meat Funny Cartoon Show", "Night of the Living Shnookums." It can be found here. https://youtu.be/cf1D-cf113c?si=pBIDBpFUrA4ksSuF&t=228
**ENDANGERED SPECIES** This small bird the Golden Cheeked Warbler #goldencheekedwarbler #endangeredspecies also known as the #GoldFinchofTexas lives and breeds in Central Texas particularly somewhere around the Edwards Plateau, Lampasas Cut Plain and Central Mineral Region. The main reason of the threat and decrease of this small bird’s population is mainly because of ranching, agriculture and land development. At present, there is no known record of the number of Golden Cheeked Warblers remaining.
