This is my portrait by the best artist in the whole universe, my daughter. I'll trust all my best to post here every day the random things, my thoughts, and sketches, or even just scribbles from pieces of paper. So nice to meet you all ppl.
One in my Surreal Landscape series. I basically mixed ideas "Space Time Life Death" and try to portray some vision I had in my mind about life in the universe. Purposefully just trying to make something deep and interesting :) [Prints Available]
Meadhbh standing while clasping her forearm. Two drawing details along with two in-progress scans of my technique: red Bic pen layer first, then green layer and finally the yellow ink layer. Bic4 Ballpoint Pen on Archival 9” x 12” paper. Model: Meadhbh (Maeve).
This is Detective Seven from my new story "Mecca Subatlantica". It's a cyberpunk setting with a little steampunk feel.
Click the sales link to subscribe on DeviantArt and read chapter 1. Chapter 2 should be out by the end of next month (Dec 2021).
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
