As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
(2B pencil on a 139mm x 87mm postcard) A spoof of the old comic-book adverts. It was usually the novelty and joke companies which sold nasty little items that nasty little kids could torment others with. They certainly knew their market well!
(HB pencil on a 139mm x 87mm postcard) It's not surprising that the pandemic would inspire me to do a work such as this. How could it not? It shows both the growing need for social interaction people have in isolation, along with the need to protect themselves. These two things have come together in a piece depicting a strange group of gate-crashing party-goers.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
I incorrectly shaded the dimples in this peanut and couldn't recover from the mistake. I post this as a reminder that the path of success is cobbled with failures.
Definitely doodling---This is my first mandela and it ranged from great fun to great frustration. It ended up a little "waby swaby," but I suppose that's in keeping. It's 12 inches across with 32 points. Drawn with a micron pen, then colored in markers (in whatever colors I happened to have) and has colored pencil shadows. I scanned it into PhotoShop and played with altering colors. Made a green one for my green-crazy friend and a subdued desaturated one for myself. It's quite printable on my oversized color laser printer---so ill be a fun "social distancing" poster gift for my friends. Each one with a personal color range.
