Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
I love working with black, white and all sorts of grey tones. This is a digital drawing created using standard brushes on procreate. Gandalf is a favourite character of mine. One of those characters that whenever they are around you know its all going to be okay.
Elias Rosenshaw (under the name Sage Stanley) 2/9/2023
Acrylic paint, paint marker, and gel pen on canvas board. 18" x 24"
On display in the "Nocturne" virtual gallery at www.119northweatherly.com March 9 - April 30. Can be purchased for $200 (plus $35 if framed).
Note: The date is an approximation. I created it to submit to the show, but forgot the exact date I completed it.
What startet as a somewhat mindless marker-sketch at a cafè while having a conversation later came out as a pretty cool cityscape. Probably inspired by the movie Tekkon Kinkreet, which I watched previously.
Medusa has always been one of my favorite mythology figures . And ... well, here comes the rant , I'll never quite forgive Athena for making her like this . Ironically, I've only really seen Medusa in her monster form , and this form , in all its unique fierceness , is what I've always been attracted to . I know I'll probably get a lot pf flack for this ... so I'll just quit while I'm ahead . Enjoy the cute pic .
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
