Going all in with practicing bird anatomy (found myself seriously lacking in it). My brain can be quite a B**** when it comes to anatomy, because I always seek to "bring characters to life". Here, I was practicing on the body underneath the feathers and fluff... And end up using the shape of a chicken as a reference... XD
This is something I'm working on for a project, its part of a template I'm putting together. Its a little off center but I spent most of yesterday morning doodling in my sketch pad until I was happy with the design. I did have to use bat skulls as resource, it was fun.
So I wanted to draw something fun since Hazbin finally came out! Looking forward to Jan 26 and Feb 2 that's when they release the next set of episodes. Alastor definitely was not disappointing...so far. It airs on Amazon Prime if your interested, great show for adults.
The result is not as good as I imagined. But anyway I want to share it, because:
- others may find it great,
- art taste is subjective,
- even if it's bad, you can receive a constructive critique or tips on how to improve it.
Don't be afraid to share your failures. They push you forward. You can learn a lot from them.
Only my second time tackling the lusca as a drawing subject… hopefully it checks out!
“The Lusca is a legendary sea monster from Caribbean folklore, primarily said to inhabit the underwater caves and blue holes near Andros Island in the Bahamas. Described as a massive hybrid—often half-shark, half-octopus—or a giant squid/octopus, it is rumored to reach lengths up to 75–200 feet.”
A wonderful reflective poem from Wendell Berry entitled "How to be a poet" is a fantastic foundation for an art curriculum. The last of three stanzas reads as follows:
Accept what comes from silence.
Make the best you can of it.
Of the little words that come
out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.
Reminds me of a Buddhist proverb: Patiently I will bear harsh words as the elephant bears arrows on the battlefield. Words are powerful. They stir emotions. We are the managers of our emotions. It is not what happens to us that is the issue, it is our opinion of what happens to us that is the issue. Peace.
Turns out, leprechauns don’t need rainbows to find pot (of gold) in Amsterdam—just a solid set of wheels. This guy’s off to chase some lucky breaks, one tiny pedal at a time.
Illustration by me, because St. Patrick’s Day needed more bikes.
My name is Jenny Lebedev.
I am a multidisciplinary artist and illustrator, Making painting on canvas and digital platform, video, photography, drawing. Graduate of the Department of Multidisciplinary Art at Shenkar.
I recently finished illustrating the second children's book. I also accept commission projects and work with the client in close communication. I make digital art work for postcards, prints, incl. producing prints.
In the field of art I deal with conceptual art on the topics of "nothingness" and the existing emptiness, awareness of the air.
When I was a little girl I was drawing postcards and during holidays I was selling them to the neighbors for half a shekel. At home my family always appreciated my creativity. Because of this when I moved to Israel, I decided on an art degree where I had the freedom to try different kinds of art. I became a painter and my final exhibition at Shenkar College was a plumbing work with sculpture and dio.
Nowadays I am more involved in digital painting and specializing mainly in illustration and design. I take my inspiration from nature because it has an amazing integrity. But of course a simple emphasis will make most people notice it better.
