In this series called Identity (Identity), inspired by the people and the diversity of New York, I wanted to capture this diversity, the statics, the glamor, the fashion, the ethnicities, the culture and the splendor of this magnificent city.
Over the cliffs , the greatest mountains in the sea... He raises his hands of might !!! https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber
Must Survive. My neighbour is triggering one of my trauma's at the moment. Sometimes all you can do is survive, sit through and wait for it to stop. Resist. I have to be strong. My neighbour will stop (hopefully before I go to bed).
It's official. I've gone to the dark side and fallen in love with acrylic gouache - specifically the Liquitex one. If you'd like to read my detailed thoughts I've put them in my blog ( https://www.lindsaymadeit.com/2020/03/05/acrylic-gouache-review-new-portrait/ ) , but otherwise, here's my first painting with them.
Here's a drawing I made of pinup model Lalla.I used black ink, color pencil (black and grey) graphite pencil on watercolor paper. Many thanks for looking.
I am composed. I am more than just a label. Sometimes I'm happy, sometimes anxious (well more than just sometimes), sometimes playful, sometimes sad, sometimes brace, sometimes even too brave, sometimes creative, sometimes numb, sometimes... Oh by the way, I got a bipolar II diagnosis, for context. March 2020. Pastel on Canson cotton, honeycomb surface paper (32cmx24cm).
This is a work I made as a reaction to a questionaire about suicide. I got over it, but I have been there, done that. Despair, the feeling of drowning, reaching out but never getting the help you need, deep dark depression, the grey-brown brainfog. Yet: there is some light, there always is, but I'm too scared to look at the light. I didn't varnish this pastel-drawing, just to accentuate the fragility of mental health. What you need to know it that I got out of this and so can you if you are this deep in trouble. I'm doing much better. January 2020, pastel on A3 paper.
This is the finished drawing. It took me about 6 hours over the course of two days. I decided to just lightly shade the background so my finger prints didn’t show so much. I was afraid that going darker would make the horse blend in too much. I’m happy with how it turned out! Done in charcoal, marker, colored pencil, and pencils.
The picture is terrible. the colors are much brighter... Named for the person liked it most Marker, sharpie, watercolor markers. Simple way to get out of my mind, relax, zone out, I call it brain numbing style because to me it's simple (but it's not really) and just what I do no rhyme or reason. I Just start drawing lines (no subject) with black sharpie/perm marker and see what develops, often surprise myself. I go back and see faces, objects, figures... Closing lines up I see more and then as I start adding color more images develop, no theme to begin but rather it develops as I color and close it in . I tend to see faces a lot especially in graphite or charcoal and in just about anything...rocks, wood, paneling. At times I start with a scenery or subject but turns out completely different and the original never happened. I find out after I look up from being so focused (call it zoned out)
So thankful for this experience that I shared with my class today. For the last 3 spring semesters, I’ve had the opportunity to take my KCAI Cultural Safari senior sketchbook class to draw from donor cadavers. Every year I am reminded of how amazing and intricate the human body is. I am also humbled by the generosity of the donors giving their remains to train young physicians. The conversations that result from these encounters always prove to be enlightening and inspirational. These are a few of my drawings I made.
