reality

On May 12, 2024, I made a significant decision to deposit $14,200 into crypto chain io, a choice I would soon come to regret. Almost immediately after completing the transaction, an uneasy feeling began to set in. Concerned, I reached out to their support team to confirm the status of my deposit, but my inquiries went unanswered. As the days passed, my anxiety increased. By May 16, just four days later, I noticed that the funds had not been credited to my account. Panic started to take hold as my emails were either ignored or met with a single, dismissive response: “Processing takes time.” No timeline was provided, and there was no transparency. It became painfully obvious that I had fallen victim to a scam. For the next six long months, I fought relentlessly to recover my lost money. Every attempt to contact the crypto chain was met with silence and evasion, leaving me feeling more and more helpless and frustrated. The lack of meaningful communication only deepened my despair. I spent countless hours trying to reach out through various channels, but every effort was futile. With each passing day, the reality that I might never see my money again became harder to ignore. Just when I thought all hope was lost, a breakthrough came on November 8, 2024. While browsing comments on X (formerly Twitter) during discussions about the U.S. general election, I stumbled upon a post praising a company called Salvage Asset Recovery. Intrigued and desperate for help, I contacted them the same day. To my relief, their team responded quickly, demonstrating genuine commitment to helping me. They launched a thorough investigation into crypto chain Io's operations, delving deep to uncover the truth behind the fraudulent activities. Their expertise and determination reignited my hope. By November 22, 2024, my perseverance was rewarded. Salvage Asset Recovery successfully traced and reclaimed my entire $14,200, exposing the fraudulent practices of the platform in the process. I was overwhelmed with gratitude, knowing I had finally recovered what I had lost. It was all thanks to the support of Salvage Asset Recovery. you can visit them via below TELEGRAM+16592200206

The adage "all that glitters is not gold" proved a harsh reality I recently encountered. The digital realm of cryptocurrency investments and exchange platforms is not immune to deception. My pursuit of cryptocurrency investments led me to a seemingly legitimate site, complete with convincing investor testimonials touting successful withdrawals. Unbeknownst to me, it was an elaborate scheme. I invested $210,000.00 worth of cryptocurrency across multiple wallets, as directed by the scammers. Initially, the process mirrored typical modern investments, but my withdrawal requests were met with evasiveness and silence. This represented my entire life savings, accumulated through years of dedicated work, now vanished in an instant. Refusing to accept defeat, I sought assistance from METATECH-RECOVERYPRO, which facilitated a successful recovery. Their process was remarkably efficient. They meticulously traced my lost funds back to the perpetrators, and within a short timeframe, the recovered assets were returned to my bank account. Without this exceptional recovery team, which offered support when all hope seemed lost, my situation would have been dire. To initiate your recovery, I strongly advise sending a detailed email (Metatech@Writeme.Com) of your task, outlining your specific circumstances. Ask (META TECH RECOVERY PRO) for help via: Telegram:@metatechrecoveryproteam W/S +1 (469) 692‑8049 thank you.

This poignant black and white pencil and ink drawing captures the essence of a dark, broken man with sand slipping through his fingers, symbolizing the passage of time and lost hopes. A hole in his chest reveals his heart, while beside him stands a similarly broken woman. In the foreground, withered flowers and a shattered hourglass accentuate the theme of decay and loss. The background features a forgotten playground, representing the loss of innocence, and a swirling vortex with lightning in the sky that engulfs the man's illusion of reality. This artwork speaks to the emotional turmoil and fragility of the human experience.

(2B pencil on 120mm x 105mm paper) A Skav Art piece depicting a hellish reality where out of control technology degrades and torments humanity, such as in this Techfernum Sorcerer.

I take a lot of Genesis as an allegory for birth and maturation, both individually and collectively. The Garden of Eden could easily be interpreted as the womb, and we are all cast out of it at some point. Genesis 2:24 says "This is why a man leaves his father and mother and bonds with his wife, and they become one flesh." Though people use this passage to refer to the tradition of marriage, I think that it speaks to something much, much deeper than that. Literally, when two people copulate, they create a child that is of one flesh. They do not "become one flesh" because they engage in a ritual institution and are now "to be viewed as comprising a single identity," but they literally become one flesh because their genetic compositions are joined into a new being (Mark 10:8 and the two shall become one flesh.’ So they are no longer two but one flesh. 9 What therefore God has joined together, let no man separate.”). That being said, I read somewhere once that babies born in every part of the world make phonetic sounds from pretty much every language in the world. It is only after a period of time that they start to key in on certain sounds that the people around them are making, and it is only after that that children key in enough to start developing more advanced language skills (typically). However, in this original state, there is a freedom. There are no assumptions. There is an innocence in that state. There is a lack of judgement. There comes a point at which babies/young children begin to mimic and to incorporate what they are experiencing from the creatures around them into themselves. To small creatures with an undeveloped sense of self or reality, the caregivers around them may as well be gods, at least from their perspective. They will learn from these gods around them and will begin to embody their cultural beliefs, their language, their idiosyncrasies, and their perceptions, often on a deeply unconscious level. Adults contribute to that quite thoroughly and somewhat consciously. (Genesis 1:26 Then God said, “Let Us make mankind in Our image, according to Our likeness..") (Genesis 11:7 7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.) In our own way as individuals, we are each a Tower of Babel, and at some point, for each of us, that Tower fell. Barriers to communication of so many kinds were created for and/or by us. Perhaps we still spend time constructing new barriers and thinking up new ways to distance ourselves from the rest of our kind. I chose to use the phrase "materialism" to express how children engender these attributes of caregivers and others alike. However, this can easily be exchanged for a phrase like "socialism," or "corporate capitalism," or nearly any other thing that you can probably think of. Children are like sponges. They soak up even more than we realize. Most widespread religions in the world have some form of renunciation belief or ritual wherein an individual must 'cast off' the old self and put on the new. This is because, regardless of where or when a child is born in the world, the perspectives of the people around them raising them will likely leave much to be desired. It is necessary for beings to continue to learn, and this often entails a serious consideration of what was instilled into them at an earlier time. It is quintessential that we question and evaluate these things since the state of the world will have changed by the time that we reach maturation. The ideas that people gave us may apply to a world that is already different. The story of the Tower of Babel may refer to a state that earlier humans lived in, perhaps on a shared continent, in which the manners in which they communicated were similar. Then, at some point, perhaps these same peoples went off on their travels and developed new languages. In a funny way, we seem to do that as individuals. At some point, we strike out on our own, even if only a little. Though we may differ on surface level behaviors and in the symbols that we use to describe the human experience, human beings are more or less fundamentally the same. We let our differences create so, so, so many barriers between ourselves and other beings. Just think of all of the harm that things like xenophobia, racism, intolerance, and a lack of an ability to communicate verbally with one another have done to our species. Even beyond that, just think of how easily we dismiss the inner lives and inner experiences of creatures different than ourselves simply because they do not communicate verbally with us in our preferred tongue. Research is overwhelmingly in support of other beings communicating with others of their kind, whether we as individuals acknowledge it or not.. Some of us are just really into denial about it. We could achieve remarkably wonderful things, if only we would learn to recognize the similarities of our experiences. (Matthew 19:6 So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate.”)

We take things in and digest them before regurgitating them or expelling them again through our being. This is true of many aspects of our reality, not just of caloric intake. We take things in through the senses, through the person. We digest with our intellect and with our perception. Then we are able to share that back out through the senses, through our behaviours, and through our being. Food builds our body even as our experiences build our character. The real mark of a mature human being is developing deeper levels of discretion and recognizing more intimate forms of subtlety. Not everyone likes grapes, but to condemn grapes as evil is not prosperous to our species. Some like cherries, but not all enjoy their flavour. Grapes and cherries are still nutritious even though some have allergies to them. And not all cherries and grapes are ripe and nutritious at all times in all places. We must carry this knowledge into the development of our judgement. If it is important and worth while to discuss food and material nutrition, then it is much more essential that we evolve a greater sense of discretion for experience and for the holistic palette of our physical, emotional, intellectual, social, and spiritual tongues. We do that through consumption and digestion. But be aware that a human being can not live on grapes and cherries alone. We should also do our best to not condemn the taste buds or stomachs of ourselves or others. Namaste.

Imagine a bathtub Full of soaps, salts, and oils Of many kinds How they would interact But some would settle And some would not mix The water would be influenced Reality is full of so many factors Some of which interact directly Some of which interact indirectly Forming many layers

This sketch is supposed to symbolise the struggle we all have to accept our responsibilities at the cost of our own well-being. It's easy to ignore our problems when there are so many forms of escapism.

My submission for the Doodle Addicts album cover challenge. Thank you so much for the votes, I appreciate them all! Here's the original description for the submission: Future you calling is a group that mixes electronic pop and rock with some vintage and retro vibes thrown in the mix. To Whom It May Concern is their newest album. It's like that strange record that you once found on the slightly shady flea market that closed down after one month. You wish you had bought it back then, so now is your chance to repair the damage and get this album instead. It's almost the same. We promise. (Future you calling is an invented band. I'm not musically skilled enough to make the band reality but I can always imagine how their albums would look like if existed. This illustration was painted in Photoshop using reference photos found on Pexels.)

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

My Dungeons and Dragon character Florien had a very rough last session. He's at the point where he'd rather escape reality than face it. I have faith that things will get better for him. Poor dear.

Pencil and Pen artwork

All of us as a child wanted to be the hero of a story or an imaginary world, but some of us managed to make that dream come true! Magnificent @ravassa and @sweeetanj became the voices of #Sombra and #Symmetra from #Overwatch! Do you wanna be a fantasy or fictional character? Covatar can help make the dream a reality!

Follow @thecovatar on IG and Twitter for a daily art inspiration! Her cool casual style became the thing of the portrait. Just take a look at her amazing pink hair! Unlike real life, in our portraits, the vivid hair color will never wash off Olivia’s special request was to capture her wonderful freckles, so Chimkoko did great work tried not to miss any of them. Our artists are always ready to embody your ideas into reality with an eye for detail!

Here on this acrylic/ink on canvas piece, you can see a Loupee realizing that it truly, in fact, is very ugly. Actually so ugly, that it began to melt its surrounding reality causing its shadow to lose its true vibrancy. All it wanted was to see was its pupils. No one can relate to this situation any better than you can.

We can choose out on ways but sometimes there cirsconstances that make us "accept" the reality.

MARRIED AT FIRST SIGHT ~ REALITIY TV

This artwork started as a doodle. I love chaos & i love the freedom to meander endlessly w a pencil. However i also like 2 have a 'Conversation' w viewers. So to encourage this i often 'name' the doodle. Suddenly by defining the scribble it almost gives folks permission to comment & offer their perspective & input. Luckily i am not swayed either way w this conversation but i do love a forum for ideas & this usually turns into even more optimistic exercises allowing me to continue discovering the unknown & undrawn. Quite frankly i am lucky since i can draw & create any reality i choose... for me the visual possibilities r truly endless. Yep, Eternity is the limit.

I created this from a photo I took.

This work entail the idea of Metaverse 1.0, a virtual space ​created by the convergence of virtually enhanced physical reality and physically persistent virtual space, including the sum of all ​virtual worlds​, ​augmented reality​, and the Internet​. This defines YEAR MILLION, where humankind becomes uploaded to a highly saturated smorgasbord of digital realms where we live out our life in any number of possible ways we please.

Ive been gifting my friends for their birthdays Alien illustrations. The aliens represent them in a parallel reality

Ballpoint pen and Stabilos; this took longer than it should've. I think it turned out pretty nicely, but the coloring isn't the best (my pens started running out of ink). "I reject your reality and substitute my own"- Adam Savage

Here's a doodle of my house. (I feel like this looks a bit different than what I usually do.) This is an homage to my 100+ year old house that has had many generations live in it. The bottom section is overly curved because, in reality, the center of the house is sinking and everything rolls towards the middle. A lot of character for a little house.

The 2nd Sorrowful Mystery: The Scourging at the Pillar. This was kinda painful to draw. The reality of Man, created originally so innocent, corrupted to the point of hurting a man God. Lord have mercy. 1. Jesus is taken before the High Priest where He is falsely accused, buffeted and insulted. 2. The Jewish leaders take Jesus before Pilate, for only he can impose the death penalty. 3. The robber, Barabbas, is preferred to Jesus. 4. Pilate can “find no cause in Him”, yet to appease the Jews, he orders Jesus to be scourged. 5. The scourge is made of leather thongs to which are attached small sharp bones. 6. Jesus is bound to a pillar and cruelly scourged until His whole body is covered with deep wounds. 7. The Lamb of God offers His suffering for the sins of mankind. 8. Jesus suffers so much in His sacred flesh to satisfy, especially, for sins of the flesh. 9. The prophecy of Isaiah is fulfilled: “He was wounded for our iniquities, He was bruised for our sins.” 10. Father, by the merits of Jesus in this painful scourging, have mercy on us and on the whole world. Spiritual Fruit: Purity

Concept illustration for my ongoing personal project, a graphic novel entitled “Oneironauts”. It follows the misadventures of Corvidhir and his two unlikely companions as they navigate the bridge between reality and the dream world.

My drawings depict figures that are created from my imagination. My figures are distorted and usually out of proportion as I prefer not to be constrained by reality of what we see around us . My work typically is done using a simple black biro. I find the act of drawing a vehicle to express and explore ideas in figurative forms.

Welcome to Nornwan, Untitled Heroes!!! What brings you here today? Escape from reality? Sweet! Me too! This is an illustration of her majesty the queen. She has no name that we simpler lifeforms can pronounce. She has lived long, and ever watched over the land of Sucrosia, (the land of candy). Not all dragons that come to the land of Nornwan are peaceful and life-loving creatures, nay, some are wicked beasts, they oft seek the utter destruction of the peoples! How very fortunate we are, indeed, to be blessed by the Candied Lady. we are #untitledheroes https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

i drew this as kinda a vent ;w;