reality

AI edited picture of a New York bridge.

A hand-drawn illustration featuring a classic to-go coffee cup overflowing with ibuprofen pills instead of liquid. Perfectly capturing the essence of a rough morning, a long shift, or just the reality of "adulting.", text that reads: Venti Ibuprofen Kind of Day

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

A 20x36 canvas A surreal shoreline unfolds beneath a weathered lighthouse, where reality bends into myth. Planes drift through muted skies, a UFO lifts a van from the cliffs, and the sea itself seems alive—its waves whispering forgotten tales. Between the moon’s watchful eye and the wreckage below, every fragment hints at a story untold, a dream caught between the tide and time.

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A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.

"A wyvern whose only desire is to be loved, despite a frighteningly monstrous nature and bleak origin. A master of encouragement, childlike mischief, wing hug offers, and bypassing the laws of reality in outrageous fashions."

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Maps and krakens.

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unreal reality A5 fine liner , pencil on paper

Lindsey and I recently went on a date night while on vacation in Florida. Fantasy and reality are two very different things. I also figured this was a great way to introduce DAT (Die Alone Together) Comics. I will hopefully upload a new strip every week. I hope you enjoy it!

Hi. Am I hard to see? You are free to look closer. This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity. Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.

This poignant black and white pencil and ink drawing captures the essence of a dark, broken man with sand slipping through his fingers, symbolizing the passage of time and lost hopes. A hole in his chest reveals his heart, while beside him stands a similarly broken woman. In the foreground, withered flowers and a shattered hourglass accentuate the theme of decay and loss. The background features a forgotten playground, representing the loss of innocence, and a swirling vortex with lightning in the sky that engulfs the man's illusion of reality. This artwork speaks to the emotional turmoil and fragility of the human experience.

Color Pencil over Gesture. It was a contemplative day in the art classroom. Students were drawing self portraits and I had time to join them. Our discussion was on 'Reflection'. The image we see of ourselves in the mirror is not what people see when they look at us. They see the reverse. The mole on my cheek is on the other side of my face, if you were to look at me in person. This leads to discussions of perception and reality. It can be fun and humbling. We cannot live only by sight. We must have a faith of some sort. This reminds me of the Michael Feldman Public Radio Program called: "Whad'Ya Know?" It opens with the audience shouting: "Whad'd Ya Know?" and Michael replying: "Not Much! You?". We do not know much, I think, as much as we like to pretend that we think we do.

(2B pencil on 120mm x 105mm paper) A Skav Art piece depicting a hellish reality where out of control technology degrades and torments humanity, such as in this Techfernum Sorcerer.

It's mine

Broccoli is delicious and nutritious, but it is not the best at critical thinking. Some humans also reject reality as willingly as this broccoli does. Eat more vegetables. lol

I take a lot of Genesis as an allegory for birth and maturation, both individually and collectively. The Garden of Eden could easily be interpreted as the womb, and we are all cast out of it at some point. Genesis 2:24 says "This is why a man leaves his father and mother and bonds with his wife, and they become one flesh." Though people use this passage to refer to the tradition of marriage, I think that it speaks to something much, much deeper than that. Literally, when two people copulate, they create a child that is of one flesh. They do not "become one flesh" because they engage in a ritual institution and are now "to be viewed as comprising a single identity," but they literally become one flesh because their genetic compositions are joined into a new being (Mark 10:8 and the two shall become one flesh.’ So they are no longer two but one flesh. 9 What therefore God has joined together, let no man separate.”). That being said, I read somewhere once that babies born in every part of the world make phonetic sounds from pretty much every language in the world. It is only after a period of time that they start to key in on certain sounds that the people around them are making, and it is only after that that children key in enough to start developing more advanced language skills (typically). However, in this original state, there is a freedom. There are no assumptions. There is an innocence in that state. There is a lack of judgement. There comes a point at which babies/young children begin to mimic and to incorporate what they are experiencing from the creatures around them into themselves. To small creatures with an undeveloped sense of self or reality, the caregivers around them may as well be gods, at least from their perspective. They will learn from these gods around them and will begin to embody their cultural beliefs, their language, their idiosyncrasies, and their perceptions, often on a deeply unconscious level. Adults contribute to that quite thoroughly and somewhat consciously. (Genesis 1:26 Then God said, “Let Us make mankind in Our image, according to Our likeness..") (Genesis 11:7 7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.) In our own way as individuals, we are each a Tower of Babel, and at some point, for each of us, that Tower fell. Barriers to communication of so many kinds were created for and/or by us. Perhaps we still spend time constructing new barriers and thinking up new ways to distance ourselves from the rest of our kind. I chose to use the phrase "materialism" to express how children engender these attributes of caregivers and others alike. However, this can easily be exchanged for a phrase like "socialism," or "corporate capitalism," or nearly any other thing that you can probably think of. Children are like sponges. They soak up even more than we realize. Most widespread religions in the world have some form of renunciation belief or ritual wherein an individual must 'cast off' the old self and put on the new. This is because, regardless of where or when a child is born in the world, the perspectives of the people around them raising them will likely leave much to be desired. It is necessary for beings to continue to learn, and this often entails a serious consideration of what was instilled into them at an earlier time. It is quintessential that we question and evaluate these things since the state of the world will have changed by the time that we reach maturation. The ideas that people gave us may apply to a world that is already different. The story of the Tower of Babel may refer to a state that earlier humans lived in, perhaps on a shared continent, in which the manners in which they communicated were similar. Then, at some point, perhaps these same peoples went off on their travels and developed new languages. In a funny way, we seem to do that as individuals. At some point, we strike out on our own, even if only a little. Though we may differ on surface level behaviors and in the symbols that we use to describe the human experience, human beings are more or less fundamentally the same. We let our differences create so, so, so many barriers between ourselves and other beings. Just think of all of the harm that things like xenophobia, racism, intolerance, and a lack of an ability to communicate verbally with one another have done to our species. Even beyond that, just think of how easily we dismiss the inner lives and inner experiences of creatures different than ourselves simply because they do not communicate verbally with us in our preferred tongue. Research is overwhelmingly in support of other beings communicating with others of their kind, whether we as individuals acknowledge it or not.. Some of us are just really into denial about it. We could achieve remarkably wonderful things, if only we would learn to recognize the similarities of our experiences. (Matthew 19:6 So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate.”)

Tao Te Ching “A great nation is like a great man: When he makes a mistake, he realizes it. Having realized it, he admits it. Having admitted it, he corrects it. He considers those who point out his faults as his most benevolent teachers. He thinks of his enemy as the shadow that he himself casts.” ~~~~~~~ CIM Chapter 10 88 Children perceive terrifying ghosts and monsters and dragons, and they are terrified. Yet if they ask someone they trust for the real meaning of what they perceive and are willing to let their interpretations go in favor of reality, their fear goes with them. When a child is helped to translate his “ghost” into a curtain, his “monster” into a shadow, and his “dragon” into a dream, he is no longer afraid and laughs happily at his own fear. You, my children, are afraid of your brothers and of your Father and of yourselves. But you are merely deceived in them. Chapter 12 35 It is through these strange and shadowy figures that the insane relate to their insane world. For they see only those who remind them of these images, and it is to them that they relate. Thus do they communicate with those who are not there, and it is they who answer them, and no one hears their answer save him who called upon them, and he alone believes they answered him. Projection makes perception, and you cannot see beyond it. Again and again have men attacked each other because they saw in them a shadow figure in their own private world. And thus it is that you must attack yourself first, for what you attack is not in others. Its only reality is in your own mind, and by attacking others, you are literally attacking what is not there. 36 The delusional can be very destructive, for they do not recognize that they have condemned themselves. They do not wish to die, yet they will not let condemnation go. And so they separate into their private worlds, where everything is disordered and where what is within appears to be without. Yet what is within they do not see, for the reality of their brothers they cannot see. 41 Vision depends on light, and you cannot see in darkness. Yet in the darkness in the private world of sleep, you see in dreams, although your eyes are closed. And it is here that what you see you made. But let the darkness go, and all you made you will no longer see, for sight of it depends upon denying vision. Yet from denying vision, it does not follow that you cannot see. But this is what denial does, for by it you accept insanity, believing you can make a private world and rule your own perceptions. Yet for this, light must be excluded. Dreams disappear when light has come and you can see.

We take things in and digest them before regurgitating them or expelling them again through our being. This is true of many aspects of our reality, not just of caloric intake. We take things in through the senses, through the person. We digest with our intellect and with our perception. Then we are able to share that back out through the senses, through our behaviours, and through our being. Food builds our body even as our experiences build our character. The real mark of a mature human being is developing deeper levels of discretion and recognizing more intimate forms of subtlety. Not everyone likes grapes, but to condemn grapes as evil is not prosperous to our species. Some like cherries, but not all enjoy their flavour. Grapes and cherries are still nutritious even though some have allergies to them. And not all cherries and grapes are ripe and nutritious at all times in all places. We must carry this knowledge into the development of our judgement. If it is important and worth while to discuss food and material nutrition, then it is much more essential that we evolve a greater sense of discretion for experience and for the holistic palette of our physical, emotional, intellectual, social, and spiritual tongues. We do that through consumption and digestion. But be aware that a human being can not live on grapes and cherries alone. We should also do our best to not condemn the taste buds or stomachs of ourselves or others. Namaste.

Imagine a bathtub Full of soaps, salts, and oils Of many kinds How they would interact But some would settle And some would not mix The water would be influenced Reality is full of so many factors Some of which interact directly Some of which interact indirectly Forming many layers

This sketch is supposed to symbolise the struggle we all have to accept our responsibilities at the cost of our own well-being. It's easy to ignore our problems when there are so many forms of escapism.

My submission for the Doodle Addicts album cover challenge. Thank you so much for the votes, I appreciate them all! Here's the original description for the submission: Future you calling is a group that mixes electronic pop and rock with some vintage and retro vibes thrown in the mix. To Whom It May Concern is their newest album. It's like that strange record that you once found on the slightly shady flea market that closed down after one month. You wish you had bought it back then, so now is your chance to repair the damage and get this album instead. It's almost the same. We promise. (Future you calling is an invented band. I'm not musically skilled enough to make the band reality but I can always imagine how their albums would look like if existed. This illustration was painted in Photoshop using reference photos found on Pexels.)

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

My Dungeons and Dragon character Florien had a very rough last session. He's at the point where he'd rather escape reality than face it. I have faith that things will get better for him. Poor dear.

Meanwhile, in a shark infested alternate reality...

Pencil and Pen artwork