The image shows a stylized, colorful graphic design of a multi-legged creature resembling an octopus or squid, presented in a pop art style with vibrant red, blue, yellow and white color variations.
An illustration of a Thailand coastal scene is depicted with loose, expressive strokes, showcasing a rocky outcrop and the meeting of land and sea under a blue sky. Sparse vegetation sits atop the rocks, adding touches of green to the predominantly blue, green and beige tones.
Inspired by the Irworobong design (korean palace folding screen) during my Korea trip. Since I made the trip in spring, with flowers abundant, I thought to use the five mountain peaks as five petals to form a flower.
Inspired by my recent trip to Korea, which I intentionally went this season to catch the cherry/plum/peach blossoms. As I observed the zigzagness of the tree branches, I see in it the number of roads/mis-roads I had to take, as someone unfamiliar with the land, to get to a good bloom spot. Which kinda reminds me of life. I felt I just had to do this piece.
Aka Seraphina H. I redrew her the most. Out of all the variations I love this one the most tho it won't be her final look. I struggle with the face and fitting it into the body. Her outfit doesn't suit her because she borrowed it from a family member for a costume party.
Making original characters is fun. This outfit was made up of weathered clothing and recycled material for a nuclear apocalypse and dangerous desert life. It doesn't look like it'll fit hot climates tho
Drawing made using multiple colored pencils and black fineliners. The inspiration came from spilling ink over a page. This way I imagined something dark covering colors bit by bit.
Suddenly the light goes out and staying in the dark is a test of resistance, but when everything seems lost, it turns on again, so simply: sometimes a single attempt isn't enough, there are many moments to spend without light, but you don't have to be afraid of it, because sooner or later we will succeed in the undertaking and it will make you smile as the thing that seemed so difficult came spontaneously, it was enough not to force the process.
I hate the darkness because it shows me a version of myself that I would never want to meet, yet if I accept that the punches of life in some periods are stronger than others, sometimes leaving bruises and burns, but that life itself has granted me caresses like this sweets that I would not have appreciated without going through pain, then everything around me will seem golden. I can only appreciate the hatred and wonder of it.
I can feel those caresses, I can savor them with the same intensity with which I feel the pain of the punches, because ultimately they give so much: the strength to take another step, to not give up right now, right now that I am so close to feeling them in my heart those precious caresses.
This is an oil painting of an African American couple. They’re sharing an intimate moment with each other. Some maybe would say that they’re the epitome of “Black Love”. His skin is dark tones as compared to her lighter shade. The two skin tones wrapped together in sheets gives life to what I call “The Happy Couple”.
