rel

My own character, Rowena. She's oh so rarely quite so calm, so it was nice to draw it for once. Done in CSPEX.

I tend to use line art a lot and did this in Procreate to practice breaking free. It was gonna be a T-Rex per my son’s request but it evolved into a squirrel-like creature. Still made the T-Rex too later.

Once, my parents and I visited the zoo, I came here very often because my parents let me go out every weekend, as well as to let them relieve the stress at work. Every time I come, I visit the king of the forest. Its body is also very large, it is short, not as tall as zebras or antelopes, but on the movie channel we see that it can catch those horses. Why so? It is because they are so fast even though they are short that it does not become the tiger's limitation. Its whole body is covered with a beautiful plumage of black and orange, which looks very beautiful. The color scheme on that body is also very delicate. In places like: the neck, inside the legs… there are beautiful white hairs that look like cotton cream that I'm holding.Its fangs are very sharp like large, sharp needles. Every time people feed it, those sharp teeth come out looking really scary. It used those jaws to tear raw meat into pieces. The tiger's paws have very sharp claws, the very paws that help it grab food. I like it because it is a powerful and powerful animal. It is that curiosity that helps me get closer to it and see it in every position. And the weekend comes to see how it grows bigger and stronger.

I practiced the colors with these watercolor pencils. I realized I didn't have enough color. Size: A/4 , Tools: white gel pen, "Faber-Castell Colour GRIP" watercolor pencils, watercolor paper

My brother found me a squirrel skull so I tried painting it… I used acrylic, watercolor, and gouache

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Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character. With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer. Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.

Pen drawing of the gate into St Cedmas Church in Larne, Northern Ireland. I got married in the church in 2004. My wife’s parents were married here too in the 1960s.

The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live. Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.

The work is called "Crying Man" in the photo you can see a face wrapped in a cloth around the face, and tears are falling from that face. The work was conceptualized and drawn by me, this is my best work. Artist : Casey Jarrell Email : willambeckham@yahoo.com THE DAY UPLOADED ON 27/08/2010 ALL RESERVED! © The content of the photo is copyrighted. Prohibit any copying behavior.

Actually unrelated to the virus, this was an idea I’ve had for a while about how our neglect for our planet affects future generations.

A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

Watercolor

The work was launched on the 5th anniversary of World Reading Day to help people better understand reading.   My artwork is based on the 147-page book "The Sorrow of Books" in simple, harmonious but profound colors. In the picture are the entertainment devices that help relax the everyday human beings that I was inspired by reading. The picture is of the current situation when people are at home trying to prevent COVID 19. We have spent most of our time online, using electronic devices. We have forgotten the presence of books and have made books buried by more advanced things. Books are still something that has a lot of meaning in people's lives because of the fact that we have more useful knowledge.   My contact information:   Owner: Trần Minh Tiến   Mail contact work: tranminhtien.contactwork@gmail.com   My home address (if necessary): 15/9A, Vo Van Kiet Street, District 2 of Ho Chi Minh City, Vietnam.   My phone number: +84948574598   THE WORK ABOVE IS PART OF MY PROPERTY. THE OFFER IS NOT COPIED ON ANY OTHER PLATFORM.

Invited to a zoom bluegrass jam/sketch session. It was really relaxing with the live music!

Based on photo but different this drawing from the original picture. I drew it a few months ago. I used Derwent Academy, Staedtler and Fiorello colour pencils. I don’t drew many color pictures yet because I don't have enough pencils.

Aquarelle color pencils, fine liner pen and pencil

This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening. * Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth. * Symbolism: * The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world. * The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.

I sometimes strive to be like him

So this was merely a color practice with different brushes. I used marker, airbrush and paint. The hair is paint, the face, shirt, bow tie and shading was all used with marker. The airbrush was for the shiny effect on his bow tie. I have no rhyme or reason for this image, it was just something I created in my sketch book. I just needed to draw something to play around with.

I spent 4 days working on this drawing using nothing but my laptops trackpad. I took inspiration from drips of paint and then stretched them apart to span between where bones should be. The eye contour area was designed that way in order for it to stretch and collapse almost the same as how muscles contract and relax.

Two separate sketches but maybe a story behind it?!? DOR-15 controlling the squirrel maybe ???

This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.

Don Cutter (Full name Cookie Cutter) relishes in making their last name self evident. [This was done as a trade for a friend!!!! At present, she has no socials for me to link to, but I will update this if that ever changes!!!! (P.S. the name is *unofficial* but I am campaigning hard for her to canonize it!!!!)] P.P.S. this is the first image I am uploading of my (admittedly rather limited) backlog/body of work, so expect more updates in the near future [followed by a WHOLE lot of nothing for a while (I work SLOW ;-;)]!!!!

‘Anatomy of a Steelside’ A little something related to a book I’m writing, ‘Nighthammer’ – in the world of my book, various factions wage war via flying battleships known colloquially in-universe as ‘steelsides’. These flying platforms are essentially a science-fantasy version of early/mid 20th century navies in our world. Large propellers inside funnels keep the thing flying, while huge, side-mounted paddles push the steelside, ponderously, through the skies. I’m still figuring out some of the looks and some of the tech, but it always helps to have your own schematics!

I want to be inside the raindrop. I want know it. Feel it. Be it. Close containment. Single purpose One direction.  The rush. The thrill. Careening towards the earth. Would be a death race. But the fall is the journey. The crash. The release. Is just the beginning.

This creation of mine is Adeline. She is from Paris,France in the year 1838. Made with watercolors (Jazperstardust, Rublev,Daniel Smith, etc...) and a bit of pencil (just the outline). Made her on my new Arches watercolor paper.

Hi! This is my fanart for Six from Little Nightmares! Finished version will be released soon :3!

Il s'agit de ma toute première oeuvre au pastel sec, Réalisé avec un modèle aléatoire This is my very first dry pastel work, Made with a random model