ring

Tired of hearing him boast, the tortoise challenged him to a race.

Little watercolor painting I've done thinking how all the flowers blossoming make you feel when getting out of winter.

I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root. And yet… I am assigned to hallway duty. This is compulsory education, after all. So I sit—posted like a sentinel—watching young lives stream past. “Get to class,” I say with a smile and a nudge. The system wants attendance; I’m hungry for presence. Armed not with a whistle or clipboard, but with a pen— my scribble’s soft insurgency. The hallway stretches out like a geometric hymn. Columns and corners chant structure. Teenagers swirl past—half-formed galaxies of limbs and laughter— their orbits chaotic, their gravity pulling time forward. I begin to draw. Not their tardiness, but their motion. A shoulder. A blur of sneakers. A tilted head chasing freedom. Feet flickering like seconds. Each mark a pulse. Each smudge a breath. My paper becomes a seismograph of seeing— trembling gently through the mundane. This isn’t about making art for a frame or a feed. It’s about refusing to leak away in the fluorescent hum of obligation. It’s a quiet mutiny against the clock. I do this on long car rides, too (passenger side, mind you). Letting the lines grow wild, jagged, and unapologetic. Not for polish— but for presence. This is how I remember I’m still alive. Still growing. Still watching. Still choosing to see. Because sometimes mental health looks like a piece of scrap paper, a moving pen, and the simple, sacred act of marking time with wonder.

This is my gorgeous bf/bsf. (Or at least my attempt at drawing him lol). For our two-month anniversary, my boyfriend challenged me to draw him, and he would draw me. I love him so much and he brings me so much joy. Thank you for being in my life Emery

Drawn with FireAlpaca.

An animatronic I made in Minecraft --- I know it sounds a little cringe, but I constantly build pizzerias, add armor stands to act as animatronics, and make a FNaF map. I'd then invite friends and have them sit in the office, while I move the armor stands. This animatronic is named "Dijon", sort of like the mustard. I only drew Dijon, but there's another animatronic, "Dijona", who has a lighter suit color. These guys are sort of like the Fredbear and Spring bonnie of the pizzerias I've made. I might draw more later. Drawn with FireAlpaca (and I play on the Nintendo Switch).

One rule of thumb I go by, always bring a pen, you never know when you're going to need it for a doodle...

Ahh, final day of Inktober...and for the word ripe, I couldn’t help but think of signs of spring/summer returning to the land of Westeros after everything...everything!! The battle with the Night King is over and so is the battle for the Iron Throne. All over Westeros including The North, including Winterfell is ripe for life to return to normal again. *I have already completed the entire Inktober- you can check it out on my IG account: @dittofunkysketch123 :D

Weirdly enough, I never used to feel bothered by winter. A sign I’m “getting on a bit” as they say? I’m 32 come April, not 102 for feck’s sake! Whatever the case, roll on spring and general warmth, long overdue I have to say…

sketch on adesive paper on a bridge pilar

Another commission for another couple in Bristol, finished drawing in pencil and next up is inking and colouring! :D

2B pencil focusing on the eye, nose and mouth. The reflection today is a suggestion that we find what we look for, and we see what we want to see. Our family dinners include a sharing time of: 1. Who blessed you today? 2. Who did you bless today? and 3. What are you thankful for? It is suggested by some that if you focus on the abundance, you will not see so much of the lack, but if you focus on the lack, you will not be able to see the abundance so well. This was illustrated by the questions: "How many red cars did you see on the way to work this morning?" My answer was: "No Idea!" It is because I was not looking. If I was being given $100.00 for each red car I spotted, I would have certainly been looking, and maybe even getting creative with the definition of 'red'. What are you looking for? What are you finding?

Patron Saint of Lost Keys and Small Things. Reminded me of this poem by Elizabeth Bishop. One Art The art of losing isn’t hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn’t hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother’s watch. And look! my last, or next-to-last, of three loved houses went. The art of losing isn’t hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn’t a disaster. —Even losing you (the joking voice, a gesture I love) I shan’t have lied. It’s evident the art of losing’s not too hard to master though it may look like (Write it!) like disaster.

The M capturer before Jester had a mental breakdown. It's basically just a recolored Springlocker, a suit which looks like an Altitone animatronic, but hollowed out so a person could fit in. It has a full range of movements, and a voice changer, but it doesn't have a voice vix or anything like that. Drawn with FireAlpaca.

Kind of the icon or logo of Jester's restaurant, "Ringmaster's Pizza Hall". Before it was known as such, we called it "Jester's Mini Jamboree". If you didn't know, Jester has a line of steel dividing his bottom left and bottom right faceplate, which forms one mouth. So, in order to eat (even though Jester CAN'T eat, because he's a robot), he'd need to open those faceplates so he can fit food through the mouth. Drawn with FireAlpaca.

Another drawing I did a while ago. We've got Edward (the guy with the phone on his head), Dave (in a newly designed springlock Bonnie suit), Jack (in the springlock Foxy suit), nondescript employee, the man who brought everybody back to life (in the springlock Chica suit), and Henry (in the springlock Freddy suit). In the bottom left corner is a lonely freddy. I'm thinking that the tame part of Dave (the one that was seen in the flipside) will be the Dave we see in a human form, but the bad part (the one in Davetrap) would be sealed inside of Plushtrap, forever bound in a tiny body so he couldn't do anything bad. He lives in the back alley of the pizzaria and is the king of the lonely Freddys. Freddies? Freddy's? Oh well. Drawn with FireAlpaca.

This is part of a beautiful moment that was created as I was painting on these mini watercolour sheets. During the journey, I painted around 5 paintings. This is the first painting I painted during my train journey. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted them this. More on the way ....

various pencil 2

Something warm coloured for the incoming spring. Also befitting of the feelings a lot of folks in my life (and myself included) seem to be feeling right now! Much cobweb detangling figuratively speaking this month past, that much is true...

A cheerful sun rises over a blue horizon with colorful rays spreading outwards, accompanied by the text "happy new day!" in playful lettering. a vibrant and optimistic piece of art.

Please refill to resume activities

Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.

Black and white, graphite (pencil) drawing. (This is actually the third rendering of this particular image [the profile, specifically, another favorite]. The background differs for each rendering.)

Visual lists are a good reminder of what I have to do... or what we already did!

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

This is NOT my artwork, this was given to me as a graduation gift from my brother. This was during the drought so not a lot of us could get a bouquet of flowers, my brother asked our art teacher to do an extra print for me. When I found this in my gift bag I was already emotional and almost cried. This was better than a bouquet of flowers, one of my favourite birds in my favourite medium.

It's Dave, from DSaF, wearing that one suit he wore while Henry was still around. The anatomy for him is kind of funky but that's because the style he was drawn in while wearing this suit made him kinda funky to begin with. Still Dave, though, so it's good enough for me.

Brush pen on paper.