My brother passed in 2008 age 32. I got this tattoo to represent him because he was an MC/DJ. I felt that I represent this in this promt. Maybe gone but never forgotten. I love you bro xx
Most recent challenge from my son: recreate the scene in Batman 497 where Bane breaks Batman's back. I revised it to depict Darkseid breaking his Marvel Comics rip-off, Thanos.
My hubby loves Animal crossing and they asked me to draw the triple AAAS as animal crossing characters. Top is Amar and Aska, Bottom is Augustine and Sayeed.
Acrylic on Canvas, March 2020. This painting is of a photo that I took on a camping road trip around Iceland in May 2016 with two of my oldest and best friends -- one of my greatest memories.
This is the converted school bus that belonged to Route 66 super sketcher Bob Waldmire (RIP). It's here at our museum, so I sketched it one day. It's an amazing studio/home on wheels!!
Big flower - lots of colour here and various kinds of pen. I love kiddies' gel pens because they fit in the narrow spaces.I tried the more expensive ones, but they are no better! Tombow brush pens are good for bigger areas. I am addicted to stripes and hu
The inevitable Labubu fan art has arrived!
I mean, I see so many of them here in Edinburgh and my folks (knowing full well my plushie habit) just so happened to pick one up for me as a gift en route back from their Cyprus trip. Can’t complain obviously, he’s a very good boy! :-)
To draw is to notice.
To notice is to pause.
And sometimes, all it takes is a barefoot boy in a camping chair, chasing the drips of a popsicle, to remind us what it means to be here.
This is Popsiclence—a sacred kind of focus.
It’s where observational drawing leads us: out of the swirl, into the now.
And in that now, we heal.
Lindsey and I recently went on a date night while on vacation in Florida. Fantasy and reality are two very different things. I also figured this was a great way to introduce DAT (Die Alone Together) Comics. I will hopefully upload a new strip every week. I hope you enjoy it!
"I really don't like to gripe,
But there's a monster in pink stripes,
And he's lifting our house up to the sky.
It's like what Mama always said,
That we would all reach such great heights,
But I suspect that's not quite what she meant."
Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
A boat floats at the center of swirling, vibrant blue waves, creating a sense of motion and energy. The contrast between the warm tones of the boat and the cool hues of the water highlights the image's dynamic composition.
