Like undulations on the face of a still pond rippling outwards
across the water when a stone is skipped across the surface,
our actions are far-reaching and outlive us,
long after we have sank into the quiet abyss........
We take things in and digest them before regurgitating them or expelling them again through our being. This is true of many aspects of our reality, not just of caloric intake.
We take things in through the senses, through the person. We digest with our intellect and with our perception. Then we are able to share that back out through the senses, through our behaviours, and through our being.
Food builds our body even as our experiences build our character. The real mark of a mature human being is developing deeper levels of discretion and recognizing more intimate forms of subtlety.
Not everyone likes grapes, but to condemn grapes as evil is not prosperous to our species. Some like cherries, but not all enjoy their flavour. Grapes and cherries are still nutritious even though some have allergies to them. And not all cherries and grapes are ripe and nutritious at all times in all places.
We must carry this knowledge into the development of our judgement. If it is important and worth while to discuss food and material nutrition, then it is much more essential that we evolve a greater sense of discretion for experience and for the holistic palette of our physical, emotional, intellectual, social, and spiritual tongues.
We do that through consumption and digestion. But be aware that a human being can not live on grapes and cherries alone.
We should also do our best to not condemn the taste buds or stomachs of ourselves or others. Namaste.
Pop art ink drawing in red, pink, and violet hues. The subject is the palm of a hand and curled fingers. The background has blue, green, and turquoise stripes contrasting the colors of the hand. This artistic drawing style uses non local color to create form in the palm hand drawing.
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
Snack Attack is what happens when you don't pay attention to attacks from above while riding hands free on your bike and eating your triple fried fries and ketchup. I actually saw this happen. From my series Bikes of Amsterdam.
Kaputnik.
Kaputnik is a conjunction of the word "kaput" (meaning "broken, damaged, destroyed") and "Sputnik" (Russian robotic spacecraft). Meaning is obvious: something which hasn't come up to expectations.
Suggested by @dimetartemid who disappeared since. Come back!
https://www.instagram.com/p/CriphjGgO_F/?utm_source=ig_web_copy_link
