room

Finally done with this one! Ran out of room to draw. Copic Multiliner on 14"x17" paper

A LITTLE GIRL HAS CAUGHT A FAIRY IN AN APOTHECARY JAR

"What do you mean its haunted? Ghosts aren't real. I think you just want an excuse to get me in your bedroom." Beast original!

A ginger cat is lounging on a blue couch, holding a video game controller. The background is stylized with bold blue strokes.

#27 Plants vs Zombies fanart - This was an old piece I drew during a live stream on magma.com a few years ago. I got around to finishing it last night in ibisPaint and then made some color adjustments in Photoshop. I stink at coloring in my opinion and I usually don't color my line drawings because I get a little bit antsy staying in the lines. The following characters I drew are: The Tree is named Mourning Wood - which is a mini-boss from the game Terraria, the sunflower is from Conker's Bad Fur Day, The Piranha Plant is a recurring enemy in the Super Mario franchise, Peashooter and Puff-shroom are from Plants vs. Zombies, Ivysaur from Pokemon, Water Lily Siren from Shantae, the toon witch Samantha from the tv show Bewitched (intro), and Godzilla.

In the end I began to feel weak at the knees and then I knew that soon it would be too late, in a few seconds it would be too late, so I let it fall into the gutter and began rolling very quickly and without looking up. I kept my nose just above the top of the stone so that the room I had hidden us in would be as tiny as possible and I heard very clearly how all the cars stopped and were angry but I drew a line between them and me and just went on rolling and rolling. You can close your mind to things if something is important enough. It works very well. You make yourself very small, shut your eyes tight and say a big word over and over again until you're safe. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

Lindsey's prompt: Mushroom House

I painted this to hang in my daughter's room.

Grandfather was a clergyman and used to preach to the King. Once, before his children and his children's children and his children's children's children covered the face of the earth, Grandfather came to a long field which was surrounded by forests and hills so that it looked like Paradise. At one end it opened out into a bay for his descendants to bathe in. Then Grandfather thought, here will I dwell and multiply, for verily this is the Land of Canaan. Then Grandfather and Grandmother built a big two-storey house with a sloping roof and lots of rooms and steps and terraces and a huge veranda and placed plain wooden furniture everywhere inside and outside the house and when it was ready Grandfather began to plant things until the field became a Garden of Eden where he walked around in his big black beard. All he had to do was to point at a plant and it was blessed and grew until it groaned under its own weight. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

Everyone and the kitchen sink!

a chair next to drawers, speakers, a plant, and some kind of light or air filtration device is being climbed on by three small blue figures

Into surreal lands we go again…

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

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Relief print

Another dreamland for today…

Hi everyone! I am Cam. I like to make friends, and I am 18 and this is my OC of myself as a white anthromorphic cat. I am a Christian. And enjoy chatting in here.

An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.

Up on a hill, deep in Deadwood Lies an old shack, that fosters no good Inside this shack floats a very old being To seek it out, is to regret such a meeting A blue floating skull, who brings sweet promises of doom Sits all alone in a dark four corner room Why is the reason, this being is there Why does it beckon one to come near Its lonely and bored So it calls out to you The skull was once mighty and powerful too Causing great pain on subjects like you The beast of an age Caught by a mage imprisoned in here no longer to torment the world and spread fear But just being caught wasn’t enough It stifled its power but its will, was left uncorrupt The skull, now a seeker of dreams Destroyer of love, life, and of schemes #embracingnightmares

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"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room. The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life. With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.

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Jury Duty, June 2013 Fifty of us sat in that room, each one staring at a phone or scribbling in a notebook, killing time. The lawyers asked their questions, picking us off one by one like a slow game of dodgeball. I wasn’t chosen, so I drew instead—earbuds, slouched shoulders, the hum of waiting caught in a few quick lines.