A homage to Michelangelo's "Creation of Adam", in which Christ, the second Adam, emptied himself of His divine stature, and took the form of a lowly servant, enduring the shame of the cross (Philippians 2:6-8), so that He may redeem His bride, the church.
Further references: Ezekiel 16:8, Isaiah 6:10, 1 John 4:10
Hand drawn abstract wall art in black ink on ultra white background. Inspired by the layering of strata across millennium while visiting the Grand Canyon.
It's a Raccoon Dog! Did you know these exist? In Japan they call them Tanuki. I've always liked raccoons so I really enjoyed finding out about the Raccoon Dogs years ago (Even though they actually aren't related to Raccoons). It would be so cool to have one. ^_^ Thank you Lord for all the Raccoon Dogs! :P
While binge watching "Your Pretty Face is Going to Hell" I was inspired to sketch this lil' cutie after seeing some cyclops, spider, creature-thing, that seemed sweet in a creepy & gross, sort of way! Hugs, anyone?!?
I kept imagining her instead of drawing her down. Seraphina Belphoebe Harbinger has a loving big family and friends but they are not essential to the story I plan to use her in, Originally her design was similar to a Summer palette of Princess Peach but after multiple changes to my art style, this is her current look. Rose was originally the name I gave her and then I renamed her as Cossette but given the story I planned for her to be in she'll be nicknamed "Sera". I wanted for a look to be close to being an ideal homemaker like her mother. She's very friendly, innocent and naive. She's meant to be a character that doesn't belong in an environment she's forced to survive in
My hubby loves Animal crossing and they asked me to draw the triple AAAS as animal crossing characters. Top is Amar and Aska, Bottom is Augustine and Sayeed.
(...) En ese preciso momento, en el que soltaba aire y respiraba de nuevo, sus ojos fijaron la mirada de repente en un punto. Un pequeño punto de su universo que había cambiado de color. Se acercó al objeto de su curiosidad y se encontró con una pequeña flor. Una flor que no había visto nunca antes. Con un color raro que no conocía. No era del azul del cielo ni del blanco de las estrellas ni del verde que tanto conocía de las copas de los arboles. Era de un color entre el suelo y el cielo. Un morado vivo que rompía con todo lo que se encontraba a su alrededor. Una flor que hizo que todos los otros colores se volvieran pequeños en un instante a la vista de Zaya.
No se atrevió a tocarla, por miedo a hacerle daño, o a que se rompiese (...)
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
