"The Tree People" finished line work. Pen = Sailor Pro Gear, EF nib. Pilot Black ink. I love this ink... if only it was waterproof. Works well with markers though.
A character concept drawing of a pirate vampire character I created for a collab writing project that died. His clothing and even his hair borrowed aspects from various jelly fish as inspiration. " The snap of inky sails catching the wind punctuated the subtle wooden creaks of the Sea Nettle as it slid over glossy black waves. The night was oppressive. With the moon obscured by clouds, the ship, with its doused lamps and its dark wood was nearly invisible as she crept closer to her prize. Tallis stood on the forecastle, one foot propped against the railing, his hands supporting a spyglass. He drifted the lens between the lights below deck, counting each of them and making note of any movement on the upper deck and in the rigging. A single sailor was at the helm. Another was lazily standing beside him, possibly engaged in conversation that distracted him from his watch. This was to be expected, not many would dare to disturb such a well-equipped vessel of the Luthen royal fleet. Nettie's crew was lesser in numbers, but they were experts in what few on the high seas could manage. Tonight, would be a quiet strike. Open combat spelled unnecessary danger for his crew."
I’m back! The game company I work for hit some turbulence and laid off half the studio. I’m still there but it took a while to adjust. Getting back to my own work now.
This was drawn with my Sailor King of Pen (M). What a pen! My Royal Tangerine 1911s is to the left for size comparison.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
Digital is great -- for composition and color. But for line art? I don't think I can ever give up the fountain pen. This was drawn with a Sailor King of Pen (M) and Sailor 1911L (EF) fountain pens using Pilot Black ink. Yes, sacrilege. Pilot ink in a Sailor. But I have some Kiwa Guro arriving soon!
Drawn with a Sailor/Wancher Turquoise 1911L. The M nib on this pen comes to a sharp point which allows for some line variation not from flex but based on how deep the firm nib digs into the watercolor paper. The Noodlers Black ink is a little dry and that contributes to this effect.
From left to right (countries and their names):
Belarus- Alena Sokolova
Czech Republic-Iveta Cerna
Hungary-Maida Valko
Ukraine- Olena Karpenko
Poland- Albinka Debski
Markers and Pens
-Sailor Shikiori Dual Tip Brush Pens
-Micron Pens
-Copic Markers
-Posca Markers
-Staedtler Double Ended Permanent Pens
-Faber Castell Pitt Artist Pens
-Gelly Roll Pens
-Uni Ball Signo Pens
-Marvy Artist Double Sided Permanent Pens
-Mark’s Tous Le Jours Ballpoint Pen
etc…
Colored Pencils
-Caran d’ache luminance
-Holbein Artist colored pencils
-Tombow Irojiten
-Derwent Lightfast
-Faber Castell Polychromos
-Caran d’ache Pablo
Etc…
Additionally I used Supracolor watercolor pencils, Staedtler Mars Lumograph EE Pencil, and various types of Zebra Pens.
I wanted to see how far I get if I work on a single drawing for a day. Didn't bother myself with perfect shadowing or symmetry though... I'm going to burn through those nibs real fast drawing hair like this. :)
