A series of drawings I did digitally developing Florien ir'Litvin as a character as well as a little scene featuring him and Enna ir'Olar --- The whistling of the blizzard outside dropped into a lull as a gleaming gold chalice was passed between the Seekers. Candles winked out one at a time, dropping the temple into a pervasive gloom. Enna and Florien drank deeply, crimson lingering on their lips. Senses overwhelmed with magic, they leaned against each other. They could feel each other's heart thrumming unsteadily in their chest as they were gifted with a clarity that only their blood could bring. Together they knew they could face anything the year would bring.
I tried to make a campfire setting, with a cozy tent, the warm fire eliminating the night, the trees in the background and of course, the stars the the sky for perfect stargazing. The purpose was to create a scene, where someone would be comfortable, just lying there, enjoying everything.
Kuwei... He's so underrated. Can we stop hating on him for kissing Jesper for one second to appreciate how naughty and charming an act that was? Like, he just smirked. He was like, "Yup, I just got Wylan mad at you and mad at himself for that and mad at me! Isn't it funny? You're a good kisser." Like that scene- that was amazing. Kuwei is amazing. Anyway, this was a little doodle of Kuwei as a solemn inferni. Little did I know that he would be setting fire to forests in KoS lol! Yup, I liked the surprise of "pretend I'm Wylan to kiss Jesper and set forests on fire at Os Alta" Kuwei better than this pensive Little Palace student, but I drew it and it came out okay, so here it is.
Most recent challenge from my son: recreate the scene in Batman 497 where Bane breaks Batman's back. I revised it to depict Darkseid breaking his Marvel Comics rip-off, Thanos.
Hand drawn repeat pattern design, I used ink and then pencil crayon on top. The idea was to create a realistic scene of what life was like for me in the 80's - as opposed to cutesy images of children playing with puppies etc.
Spring in St. Petersburg. Several years ago. It’s actually an exercise where you need to add something extra to your urban scene, like splashes of stamps
P.s my laptop also got some splashes alright
Injured - That time when Jon Snow and Ghost were injured from the long night battle with the undead. They surprisingly survived but not without injuries and losses.
This scene where they were together resting and recovering did not happened in the tv show, but I can imagine it did! I decided to skip posting some of the Inktober Days here since they weren't really good. But you can view the entire Inktober on my IG account: @dittofunkysketch123 :D
This cute chubby little fairy got used for bait to catch... hmm.. who knows what? Let's all hope she gets out of the water safe. So much fun with the expression, pose and adding the depth. I would love feedback on this.
UPDATE: I was working on this illustration a while back, but I had no spare time and had to put it aside. The composition was too busy, but now I think it looks a little better. I made a few major changes, like:
• Made adjustments to light sources
• Created bolder outlines
• Got rid of the Knight reading over the dragon's shoulder
This piece was an entry for a mystery baby contest on DA, where you design the adult based on the given egg and its I theme. The creature belongs to a made-up species(Byubuu) that the host created.
A stylized architectural illustration capturing the intricate beauty of a classic brick gateway and decorative ironwork. This design blends traditional sketching techniques with a modern, vibrant color palette, making it a perfect statement piece for those who appreciate urban history and fine masonry details.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.
"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room.
The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life.
With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.
(Gel Fineliner on A5 Paper) The type of artwork which makes you look twice at it due to the title. If it was a photo or a sculpture, I'd probably use a readymade, but here it was something I could easily draw from memory with it being so basic and familiar to everyone.
