school

DAY ONE OF INTENSIVE ART TRAINING! Okay, back up, calm down... So! A little background. I am going into INTENSIVE ART TRAINING because I'm not the best at drawing humans. I want to get better so I can draw people, characters, and find my style. There will be 50 days, and this is day one. This drawing came from an old sketchbook from middle school. I won't post the original drawing (it's...less than ideal...), but you can see this redraw of the character. Thanks for reading this!

Tada! An art piece of @xavtheidiot 's character, Zane! Hope you like it! I did the cheeks in my own kind of style, as well as the hair. Hope you don't mind. Kept her in the original outfit, too. The reason it took so long is because I am both plagued with school and an ongoing existential crisis.

The things you overhear on the radio that get you to work…

Chump my darling OC. She's been living inside my head since high school. Well I won't tell you how long ago that was.

Lords of War - otep With confidence in our armed forces, with the unbounding determination of our people, we will gain the inevitable triumph. So help us, God More wars on foreign shores More names for us to mourn To misguide the misinformed To ignore the sick and poor Thus, we praise the lords of war On our knees and beg for more A fresh poison for the weak Filthy little beasts Bred to conform It's the dwarfed souls of greedy men Feculent, arrogant That shackles our young to the cold concrete And empty their guns into bodies They scream "I'm not guilty" They scream "I'm not guilty" But cowards here are only what they fear Shoot until the threat stops I'd rather be in battle than at peace I'd rather be a wolf than a sheep I'd rather be in battle than slaughtered like cattle The weak can sleep while You were born to be led That's what religion says With a bifurcated tongue America eats its young Bullet-toothed, empty gods Paralyze the minds and contest the thoughts With devils everywhere Bombs bursting in the air Drones flown over thrones Of bone and brimstone Sabers rattle in the homes Of the cowards and the crones As they shackle our young Blood stains the streets Pigs empty their guns in their bodies Bow down to the lords of war On your knees for the lords of war Bow down to the lords of war On your knees for the lords of war We rise in defiance We won't remain silent To triumph over tyrants And police violence Shoot until the threat stop We're not guilty Help us God The lords of war On your knees for the lords of war Bow down to the lords of war What is so terrible about a child screaming? Why should it disturb us? Just because we happen to be there to hear it? What about the child who comes from an inadequate home, where he gets no encouragement from his parents Where he doesn't have enough to wear, he doesn't have enough to eat, he comes to school hungry... This beautiful, breathtaking #embracingnightmares

Lindsey's prompt: School

This is a caricature I did last summer, 2025 for an end of the year bouncy house party for a local school.

Hey Boos! Haha lol I felt like I needed to post something before Christmas break (two weeks with no school) so yeah. Merry christmas ya'll!!!!! Love ya'll!!!!!! BYEEEEEE!!!!!!!!!

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

Hey boos! This is gonna be my last drawing for a while. I'm going on Thanksgiving break at school soooo yeah :D Can't be on here at home cause I don't have a Chromebook haha. Anyway hope ya'll have an awesome thanks giving.

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Sounds like life right now, for good reasons though!

For day 5 of Julesthetic, today's aesthetic is dreamcore. For this day, I decided to make Spimon, who fell asleep in the schoolyard one day. When he opened his eyes, he realized he was somewhere else and was looking for a way to get back to school while a mysterious voice kept saying, "This isn't real, it's just a dream.

This is a digital rendering of a drawing I have recreated several times. The original was a doodle done in high school and has since been done as a painting, a tattoo design, and now as digital art. My inspiration was 'A Midsummer Night's Dream', classic cartoons (Woody the Woodpecker), and pinup art styles.

For the 30th and final day of Junefairytale, today is Pinocchio's turn. For this day, I decided to make it so that one day at school there will be a play based on the story of Pinocchio. They chose Tonoie to play the main character, but he doesn't like it, while Tori laughs at him. Thank you all for enjoying these drawings. I hope you liked them

While working at the GCPD, they haven't really communicated. Or rather, they haven't communicated at all - Edward was courting Kristen Kringle, and if they crossed paths, it was limited to simple "hi-bye." But Amber was starting her "career" as an informant and tried to pay attention to her colleagues, especially if they stood out in some way. And Edward stood out. Not only with his brilliant mind, but also with his good manners, determination, and gentlemanly treatment of women. Therefore, Amber had him in good standing - which, in the context of her character, is a great compliment. But she did not seek friendship or any connection with him, being too busy with her ambitions. But they really got to know each other many years later, when he became the Riddler, and she became the Stalker. She, as always in all her versions, became obsessed with a new, interesting person, like a fan of a character, and wanted to become closer to them. This time, that person was him. She even felt strangely shy about going and confessing her interest to her former colleague. But nevertheless, everything was as usual - Amber, who rarely feels strong emotions, always tries not to miss the opportunity to satisfy her loneliness and sparked passion for someone with this strange agreement: she offers free information to her obsessions in exchange for their company and their personal information (like what subject they liked in school, how they prefer to court their love interest, nothing that could compromise them (She can find it on her own). She also does not enter into sexual relations with them, even if they are not against it). Having lived in the illusion of being showered with their attention, she eventually gets tired of them and silently moves on, ghosting them unless they do something that returns her interest (after all, having free info is worth "forgiving" her for moving on on them). This time, everything was the same. But the Riddler would not be the Riddler if he left her strange puzzle unsolved. Not that previous obsessions all let her go without questions, but they were not the Riddler. And everything became complicated...

This portrait of Mr. Joshua Anderson—our resident Shakespeare whisperer—was drawn by student artist Covey Garrett as part of a school-wide tribute to our teachers. Students photographed, gridded, and drew 18x24” posters of their teachers, each paired with a favorite catchphrase. Mr. Anderson’s? A classic: “Hint, hint. Wink, wink. Nudge, nudge.” We think the Bard would approve. "All the world's a stage, and all the men and women merely teachers..." (okay, we may have paraphrased a bit).

Sometimes, a good goodbye is also a fresh hello. As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally. Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time. These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning. Art is about making marks. Not all of them need to be permanent.

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

para el dia 21 de Marchusic, aunque no estamos en el mes de orgullo igual cada vez que escuche esta canción lo primero que se me viene a la cabeza es (Mr.) X qué le queda bien con dicha canción (sí se lo están preguntando si lo conocí gracias a esa escena de 31 minutos)

This is a pre procreate drawing. I’ve always liked the way this guys face turned out

School art. At my previous school, during lessons, I created what I call 'folder art' (doodles on school folders) This particular piece features doodles of girls, celebrating girl power

para el día 30 de Inktober hoy toca a violin para este día se me ocurrió dibujar esto ya que siempre me imaginé genie como el famoso violinista en el tejado

just for fun

An old poem I remember from school days! Don’t know you wrote it but I still remember it! Just hit me 1day to draw little scenes for it!