"Whirlwind 19”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 19th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 19, 2020.
"Whirlwind 14”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 14th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 14, 2020.
"Whirlwind 11”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 11th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 11, 2020.
“Whirlwind 10”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 10th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 10, 2020.
This is part of a series of native portraits I created after traveling through the Amazon rainforest. I use colored pencils, paint markers, house paint and enhance the drawing in photoshop.
The Nornwan: World Of Wonder series has always had Adventure Time at its inspired heart. I just figured I'd finally make this and practice a little imitation of one of my favorite art styles, tell you the truth, I used to hate Adventure Time, I used to think it was too simple, and even dumb, but after a few years and a little convincing, I got into it. And I've had a happier life ever since. Thank you.
Remember that intro for the Goosebumps TV Series? At the start a mysterious man overlooks a town, carrying a briefcase with the name R.L Stine etched on it... And as it flung open all his stories were released and carried into wind... This is my version of it, only instead of R.L Stine it was myself and my pictures of all the grotesque horror drawings were released
One of my original characters from a series of novels I am currently working on. This is Selnam Nameless, a refugee from the planet Jehikar. He is full of secrets.
Just recently started reading the Harry Potter series. Halfway through book 2 and got inspired to draw a picture. So here we have Harry and he who shall not be named!
Sea Change
Print of a pen and ink
9 x 4.75 "
This is an old piece created as part of a series of illustrations for a poetry book entitled "Fruit and Bones" by Elizabeth Zimmers (Yon) back in 2002. Had prints made and just found them again - so I added them to my website ~ which is still a work in progress. Please visit and let me know your thoughts! Next is to add more originals and prints. I am not done with the print on demand but fill ht need I need to add more.
Her poetry was awesome to illustrate - eerie and mystical. She has also written some books https://elizabethzimmers.wordpress.com/about/
In this series called Identity (Identity), inspired by the people and the diversity of New York, I wanted to capture this diversity, the statics, the glamor, the fashion, the ethnicities, the culture and the splendor of this magnificent city. Mauricio Paz Viola
In this series called Identity (Identity), inspired by the people and the diversity of New York, I wanted to capture this diversity, the statics, the glamor, the fashion, the ethnicities, the culture and the splendor of this magnificent city.
2nd part of a series including reimagined gaming/pop culture favorites.In some darker Kirby universe, this is what my imagination figured a Waddle Dee would succumb to look like.
Another one! I ended up having so much fun with neon colours, that I decided to turn it into a series - last time it was Vega, now it's her companion Cyrus rocking those bright colours
I'm working on a series of childhood stuffed animals versus child monsters (i.e. the safety of home vs the real world and its bullies). I haven't done the monsters yet, but here are the stuffed animals. I drew them from memory as opposed to referencing what Cheer Bear and Rainbow Brite's dog looked like. I looked after. I didn't get them quite right. That's OK; I think the wonkiness adds to the charm. These are drawn in reverse for a woodcut effect, then scanned and printed and gone over with gouache and watercolor.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
