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set

Reece139 Reece139
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Ocean Sunset

This is inspired by one of Bob Ross’s works. I added some twists and differences though. It is an older painting, but still one of my favorites!

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Grey Grey
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Sunset scenery

I made it very earlier but am posting it now as I love it

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Reece139 Reece139
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Sunset Cove

This is an original painting of a secluded cove in the trees. I’ve tried sharing my art before and for criticized and accused of plagiarism when I drew an original animal that resembled that of another. I assure that my works are original. If they aren’t, I will give credit where credit is due.

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Bethany Massey Bethany Massey
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Channel Set Eternity Ring

Eternity rings feature diamonds all around the band. The channel setting means that the gemstones are set on the top and the bottom, with the setting sitting on level with the stones, creating a little 'channel' that the stones sit in.

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Bethany Massey Bethany Massey
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Micro-Pavé Set Ring

A micro-pavé setting is when small diamonds are set in a way which covers a certain area of the ring. It is not uncommon for pavé settings to cover the entire shank of the ring.

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Jenn Adkins Jenn Adkins
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Fox on a Hill at Sunset

I am so in love with Procreate. I love the smooth blending, the textures and how easy it is to work with. This fox is available on my INPRNT store.

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Bethany Massey Bethany Massey
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Bezel Set Ring

A bezel - or collet - setting is where the setting metal surrounds the girdle of the gemstone. Learn more about the anatomy of a ring here https://www.acsilver.co.uk/acsnews/2019/05/06/anatomy-of-a-ring/

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Kimmo Oja Kimmo Oja Plus Member
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Lighthouse at Marjaniemi

Part 3 of Hailuoto drawings. Lighthouse at the Marjaniemi fishing harbour just after sunset

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Bethany Massey Bethany Massey
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Hidden Halo Pavé Set Ring

In a hidden halo setting, a ring of small diamonds surrounds the central stone between the claws of the setting, adding some extra sparkle to each element of the ring. This ring is also pavé set on the shank, meaning that small diamonds are set into the circumference of the band.

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Junkyard Sam Junkyard Sam Plus Member
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Renton 425

Repping the hood, as they say. Renton. 425. Weird place to have settled down but at least we have big birds and kids riding them.

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Laili Laili
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Sunset

Took the idea from many Bob Ross works and ran with it.

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Michi Michi
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Vaporwave Bennie

Next picture in my vaporwave character set! Bennie! He isn't always this sad

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Michi Michi
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Serenity Vaporwave

Been working on a set of my characters in this fun Vaporwave aesthetic. So I missed some of Inktober, well that and I got super busy. I'm really happy with how they all came out so I will be posting them over the next few days! This is my character Serenity!

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Imaginary Thinking Imaginary Thinking
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Save the bees

Making my part with a series of patterns for an actual set of beehives to be installed soon. This is one of the sketches. #pattern 10/31 days, #Inktober 2019. Daily drawing #649

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Janet Sannipoli Janet Sannipoli
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Out of the Mire

He lifted me out of the pit of despair, out of the mud and the mire. He set my feet on solid ground and steadied me as I walked along. ~ Psalm 40:2

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Hadas Hadas
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cafe animation backgraound

Animation background with charecters. Ecoline'pen and Photoshop

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Henrik Stenman Henrik Stenman
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Dreambeach

My first commission, they wanted a pretty plain pink sunset picture.

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Valériane Duvivier Valériane Duvivier
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Inktober day 3 : Bait

Woops forgot to upload it yesterday, so now, everything will be offset. The Hair Rope character are it again, this time, Anka and a mysterious and terrifying dark shape in the wood.

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Saumya Mishra Saumya Mishra
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Sunset reflection

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Bill Crabb Bill Crabb
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Star Trek Sketch card Featuring Harry Mudd

Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com

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Bill Crabb Bill Crabb
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Star Trek Sketch card Featuring Spock and Bones

Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. See more at Sketchcardsandcovers.com

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Jenn Adkins Jenn Adkins
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Lazy Bassett Hound

Weibe is a lazy bassett hound. Got on a dog drawing kick and was experimenting with a lineless style, which I've come to like.

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Rigo Montes ♓️ Rigo Montes ♓️
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Let The Music Set You Free

Watercolor pencils, markers and micron pens

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Umbra Umbra
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Whisper the Wolf

Here's some artwork of a friend's fursona (she doesn't have Doodle Addicts), her name is Whisper!

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Umbra Umbra
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Lilly the Fox

Some more artwork of one of @Fangyy's characters, Lilly. I also tested a different style with this one and I don't like it too much. :')

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Umbra Umbra
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Xyliana the Wolf

Here's a an older drawing of one of my wolf characters (it looks a lot better further away ngl), her name is Xyliana. C:

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Junkyard Sam Junkyard Sam Plus Member
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Robot Manflower

"Robot Manflower." 8x8 ink and watercolor. New discovery: Noodlers 54th Massachusetts Ink (watered down) works incredibly well for painting shadows/value before the watercolor. Watercolor does not disturb that ink! Drawn with a Pilot Custom 743 EF with De Atramentis Document Ink Black.

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Taylor Johnson Taylor Johnson
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Another set of pedals

Something I did quite a while back. Hope you like this!

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Monica Engeler Monica Engeler
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City doodle scape

Did a doodle sketch. Didn’t really know where this idea was going when I started it then it grew into a kind of cityscape sunset in the end. I was trying to sort of do a bridge around the buildings in an abstract unidimensional way. Well thought it was creative and different in the end.

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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