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shadows

Pirkko Pirkko
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My secret Shadows

Shadows in the universe.

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Ty patmore Ty patmore
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PERDITAS

A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

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Ty patmore Ty patmore
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Tool series #6 The Pipe wrench

Pipe Wrench — 16×20, graphite & acrylic accents The next addition to my growing Tool Series. # 6 A classic pipe wrench rendered with tight line work, layered shading, and subtle grit that brings out every ridge and tooth. I leaned into the industrial personality of the tool—solid, heavy, built for work—and let the shadows do the storytelling. It’s a tribute to the objects that shaped my childhood and still live on in my shop today.

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Ty patmore Ty patmore
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The Tool Bench

The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live. Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.

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Deena Perez Deena Perez
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Out of the shadows

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BeastGurl1989 BeastGurl1989
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Shadows (Colored)

There's something creeping beneath the surface.

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Dean C. Graf Dean C. Graf Plus Member
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Leaning Toward the Horizon

Against the weight of a storm-dark sky, tender stems lean forward—some bending, some breaking, some still reaching. They hold their fire at the tips, waiting to bloom, waiting to burn, waiting to belong to light. Perhaps this is all of us: stretching through shadows, searching for the thin, golden line that divides earth from eternity.

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Prabha Balakrishnan Prabha Balakrishnan Plus Member
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Avocado

I was skeptical whether I could get the inner and outershadows of the avocade but I did it. And the texture of the paper helped a lot. Kudos to me!!!

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Prabha Balakrishnan Prabha Balakrishnan Plus Member
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The Eye That Speaks

I never imagined I could capture so much emotion in an eye—especially on just my second attempt. This piece came to life through intuition more than technique. The values, the shadows, the highlights… they felt like they found their place on their own. Maybe emotion, light, and shadow have always spoken to me—I just finally listened.

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Prabha Balakrishnan Prabha Balakrishnan Plus Member
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My first sketch using charcoal pencils

This is the first sketch where I felt confident that I could capture the lights and shadows. I jumped in joy when it looked like a droplet :)

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Sparktaneous Sparktaneous
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Trees On A Hill

When I didn’t know what to paint while hiking, I closed in on a random spot to appreciate the shadows and tree branches of nature’s real-life camo

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Oscar Oscar
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Vegeta SSJ3 Drawing Sketch by Oz Galeano

Vegeta SSJ3 Drawing Sketch by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Comissions: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano?sub_confirmation=1 Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano KO-FI: https://ko-fi.com/ozgaleano/commissions

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Artistic Ruminations Artistic Ruminations
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Serene Shadows: A Cross-Hatched Village Tale

In this captivating cross-hatched pencil shading, a tranquil village scene comes to life. The intricate strokes create a harmonious blend of light and shadow, showcasing the serene beauty of rural life. Thatched roofs, winding pathways, and towering trees are meticulously detailed, inviting viewers to step into the peaceful simplicity of village existence. The gentle interplay of shades and textures evokes a sense of nostalgia and calm, capturing the essence of a timeless village story.

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Artistic Ruminations Artistic Ruminations
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Monochrome Serenity: Candles, Blooms, and Foliage

"Monochrome Serenity: Candles, Blooms, and Foliage" is an exquisite black and white charcoal artwork that captures the tranquil essence of its subjects. The subtle interplay of shadows and highlights accentuates the delicate beauty of flickering candles, graceful flowers, and lush plant life. This piece evokes a sense of calm and harmony, allowing the viewer to find peace in its serene simplicity.

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Oscar Oscar
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Model Portrait Drawing by Oz Galeano

Model Portrait Drawing by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Comissions: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano/videos Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano KO-FI: https://ko-fi.com/ozgaleano/commissions

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Oscar Oscar
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Model Portrait Drawing Sketch

Model Portrait Drawing Sketch by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Comissions: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano/videos Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano KO-FI: https://ko-fi.com/ozgaleano/commissions

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Oscar Oscar
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Model Portrait Sketch Study

Portrait Drawing Sketch Study by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Comissions: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano/videos Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano KO-FI: https://ko-fi.com/ozgaleano/commissions

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Oscar Oscar
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Model Portrait Sketch pt 2

Model Portrait Sketch by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Comissions: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano/videos Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano KO-FI: https://ko-fi.com/ozgaleano/commissions

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n4mdia n4mdia
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darkside

[Intro] (D-D-Dark side) [Verse 1: Tomine Harket] We're not in love We share no stories Just somethin' in your eyes Don't be afraid The shadows know me Let's leave the world behind [Chorus: Tomine Harket] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side [Post-Chorus: Tomine Harket] Fall into the dark side Give in to the dark side Let go of the light Fall into the dark side[Verse 2: Au/Ra] Beneath the sky As black as diamonds We're runnin' out of time (Time, time) Don't wait for truth To come and blind us Let's just believe their lies [Pre-Chorus: Au/Ra] Believe it, I see it I know that you can feel it No secrets worth keepin' So fool me like I'm dreamin' [Chorus: Tomine Harket & Au/Ra] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side [Post-Chorus: Tomine Harket & Au/Ra] Fall into the dark side Give in to the dark side Let go of the light Fall into the dark side[Bridge] (D-D-Dark side) (Dark side) (Dark side) (Dark side) [Chorus: Tomine Harket & Au/Ra] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side

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IchibanOkami IchibanOkami
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A Fire in the Early Dawn

Wanted to try out something different with art styles and experimenting with utilizing light and shadows. If you guys have any tips or suggestions on practicing lighting and shadows, please let me know.

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Oscar Oscar
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Model Portrait Drawing

Model Portrait Drawing by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Buy your custom Portrait: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano/videos Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano

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Isadora Griffin Isadora Griffin
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Spring contest color test

Trying to make sharp shadows without having everything blend toghether. My goal is to convey the warm, pinkish sunlight on the first day of spring, and light is not something i have given enough care to earlier. Removing colors from a photography is an effective way to get an idea of how sharp shadows actually are!

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NAJ NAJ
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ghost portrait

i love drawing things with fabric covering them. it's like drawing the essence of the subject, just the fluid shadows of it's presence

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Andrijan Andrijan
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Stalker from shadows,Vampis

This one I designed when I was 7 years old,hence the silly name and simple design,but effective......I Recently stumbled upon yugioh card "ryu kishin" and really liked pose he was drawn in,so I tried to redraw my Vampis in that pose while using ink and polychromos colored pencils. I always imagined Vampis being some kind of mischeavius minion using shadows to move around doing all sort of childish pranks,like throwing rocks at windows,or setting houses on fire....it's one of the two monsters that I remember from young age and I kept redrawing him every year or so.

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Spearmint Chalk Spearmint Chalk
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politics

in the shadows of forces at play: viva la mexico

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Spearmint Chalk Spearmint Chalk
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politics

in the shadows of forces at play: usa. usa. usa

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Spearmint Chalk Spearmint Chalk
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politics

in the shadows of forces at play: o, canada

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Spearmint Chalk Spearmint Chalk
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Projects and Shadows

Tao Te Ching “A great nation is like a great man: When he makes a mistake, he realizes it. Having realized it, he admits it. Having admitted it, he corrects it. He considers those who point out his faults as his most benevolent teachers. He thinks of his enemy as the shadow that he himself casts.” ~~~~~~~ CIM Chapter 10 88 Children perceive terrifying ghosts and monsters and dragons, and they are terrified. Yet if they ask someone they trust for the real meaning of what they perceive and are willing to let their interpretations go in favor of reality, their fear goes with them. When a child is helped to translate his “ghost” into a curtain, his “monster” into a shadow, and his “dragon” into a dream, he is no longer afraid and laughs happily at his own fear. You, my children, are afraid of your brothers and of your Father and of yourselves. But you are merely deceived in them. Chapter 12 35 It is through these strange and shadowy figures that the insane relate to their insane world. For they see only those who remind them of these images, and it is to them that they relate. Thus do they communicate with those who are not there, and it is they who answer them, and no one hears their answer save him who called upon them, and he alone believes they answered him. Projection makes perception, and you cannot see beyond it. Again and again have men attacked each other because they saw in them a shadow figure in their own private world. And thus it is that you must attack yourself first, for what you attack is not in others. Its only reality is in your own mind, and by attacking others, you are literally attacking what is not there. 36 The delusional can be very destructive, for they do not recognize that they have condemned themselves. They do not wish to die, yet they will not let condemnation go. And so they separate into their private worlds, where everything is disordered and where what is within appears to be without. Yet what is within they do not see, for the reality of their brothers they cannot see. 41 Vision depends on light, and you cannot see in darkness. Yet in the darkness in the private world of sleep, you see in dreams, although your eyes are closed. And it is here that what you see you made. But let the darkness go, and all you made you will no longer see, for sight of it depends upon denying vision. Yet from denying vision, it does not follow that you cannot see. But this is what denial does, for by it you accept insanity, believing you can make a private world and rule your own perceptions. Yet for this, light must be excluded. Dreams disappear when light has come and you can see.

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Spearmint Chalk Spearmint Chalk
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Communication is complicated

Suppose that 'meaning' is a faint word scribbled on a wall in a dark room. The words that we use are often barriers that separate, then, our 'comprehension' from 'meaning.' Let us suppose then that the light of the intention of a speaker is obscured by a 'word.' The angle and setup of that intention then, along with the angle and setup of the comprehension of the listener, can distort or disguise the true meaning of what the speaker is saying. Of course, the angle and setup of these things can vary greatly, just as easily as the shadows that cover 'meaning' can vary. It would seem best, then, with this in mind, to communicate as transparently as possible and to avoid and/or to detect deceit whenever possible. Dishonesty and misdirection, whether deliberate or otherwise, in the speaker or in the listener, always risk shrouding 'meaning.' When communicating earnestly, distraction can be dangerous. Shrewdness is recommended.

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Brianna Eisman Brianna Eisman
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Empathy by Brianna Eisman

This portrait was created using mixed media like colored pencils, markers, and ink. The portrait features the face of a man resting in his hand, and staring dead-eyed at the viewer. I used non local color techniques to create depth and form using colors not typically found in the human face, like blues and violets for shadows and yellows and oranges or highlights. Parts of his face include small pink stars which originally faded from the previous page, but I really like the look it gives, they almost look like celestial freckles.

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