Keep Your Eyes on the Lamp Bearer.
Don’t walk around aimlessly.
Don’t leave your armor on your bed chamber’s floor.
Keep your eyes and ears focused on Jesus.
He is the lamp bearer, who illuminates the path you should travel.
Don’t walk around aimlessly!
Don’t leave your armor on your bedchamber’s floor.
Specters are crouched in the shadows of the thicket that line your path.
They plot to ambush you as soon as you wander aimlessly into the thicket.
Keep your eyes and ears focused on Jesus.
He is the lamp bearer, who illuminates the path you should travel.
If you have walked into a fog and lost your focus,
If you have walked aimlessly into the shadows the thicket If you find yourself in the
clutches of the specters of the dark
Don’t be anxious.
Don’t lose hope.
Humble yourself and call out to your commander.
He will send in his angelic army to retrieve you
To restore you back to the ranks of His army
Don’t walk around aimlessly.
Don’t leave your armor on your bedchamber’s floor!
Keep your eyes and ears focused on Jesus.
He is the lamp bearer, who illuminates the path you should travel.
(December 3, 2016)
Wanted to try out something different with art styles and experimenting with utilizing light and shadows.
If you guys have any tips or suggestions on practicing lighting and shadows, please let me know.
"Monochrome Serenity: Candles, Blooms, and Foliage" is an exquisite black and white charcoal artwork that captures the tranquil essence of its subjects. The subtle interplay of shadows and highlights accentuates the delicate beauty of flickering candles, graceful flowers, and lush plant life. This piece evokes a sense of calm and harmony, allowing the viewer to find peace in its serene simplicity.
In this captivating cross-hatched pencil shading, a tranquil village scene comes to life. The intricate strokes create a harmonious blend of light and shadow, showcasing the serene beauty of rural life. Thatched roofs, winding pathways, and towering trees are meticulously detailed, inviting viewers to step into the peaceful simplicity of village existence. The gentle interplay of shades and textures evokes a sense of nostalgia and calm, capturing the essence of a timeless village story.
New character I made for Taured. He can phase in and out of shadows: like, if he runs at a wall (or even walks), he can turn into a 2D shadow, which can travel at high speeds, morph into different shapes, and when he's done, he can just pop out whenever he wants to. His mouth is way bigger than normal; but for the sake of the rest of Taured's population, the government has sealed his mouth shut, side from a small section in the middle. The scars on his neck are not open and bleeding; they're just opening up to reveal a vibrant red energy within. Drawn with FireAlpaca.
Trying to make sharp shadows without having everything blend toghether. My goal is to convey the warm, pinkish sunlight on the first day of spring, and light is not something i have given enough care to earlier. Removing colors from a photography is an effective way to get an idea of how sharp shadows actually are!
I played with some different rendering techniques in my digital lineart/with some diagonal shading in the shadows in addition to my usual cell shading. I used the same colour as the hair /skin/ clothing in for my lineart on a 'multiply' layer then duplicated that layer and added a blur/reduced the opacity for its copy to soften the look of the lines.
Pipe Wrench — 16×20, graphite & acrylic accents
The next addition to my growing Tool Series. # 6
A classic pipe wrench rendered with tight line work, layered shading, and subtle grit that brings out every ridge and tooth. I leaned into the industrial personality of the tool—solid, heavy, built for work—and let the shadows do the storytelling. It’s a tribute to the objects that shaped my childhood and still live on in my shop today.
Charcoal and graphite. I drew this while standing in the woods for over an hour. The light kept changing as the sun was going down. Fortunately, I was able to capture some dramatic shadows!
The girl was probably around 25yo but my drawing made her face and body look older. The shadows are a bit rough too. Again, I placed the drawing a bit wrong and had to leave out the feet.
Hi guys! LOoong time no see. But, thanks to #inktober, I'm here :) My friend offered me to participate this year challenge with #witchyprops, which I find lovely, so here it is: The book of shadows!
Nael, knight and spy master for the Moon Court. A Shadar Kai and once a prince of shadows, he has been expelled from the Raven Queen’s court and his heart returned to him as punishment for almost killing the new Queen of Magic. Such a drama llama
To help pass time and keep my creativity at the front of my brain, I keep a half sheet handy and challenge myself to fill the page with lines, shapes and shadows before the shift is over. Never a theme planned I let the pen take me on its own adventure. I’m just a passenger.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
Some shoulder studies using a statue by Borromini. The muscles on this guy were bizarre and somehow still anatomically correct. Medium: Charcoal on Newsprint Time: 30 min x 3
So I wanted to play with lights and shadows with this piece. (sorry I literally could not figure out how to set post it straight and I tried all I could think of, it didn's work out. Please if you have the same problem and you know how to solve it tell me, thank you).
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
Against the weight of a storm-dark sky, tender stems lean forward—some bending, some breaking, some still reaching.
They hold their fire at the tips, waiting to bloom, waiting to burn, waiting to belong to light.
Perhaps this is all of us:
stretching through shadows,
searching for the thin, golden line that divides earth from eternity.
