Pipe Wrench — 16×20, graphite & acrylic accents
The next addition to my growing Tool Series. # 6
A classic pipe wrench rendered with tight line work, layered shading, and subtle grit that brings out every ridge and tooth. I leaned into the industrial personality of the tool—solid, heavy, built for work—and let the shadows do the storytelling. It’s a tribute to the objects that shaped my childhood and still live on in my shop today.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
This is my friend's Magic-User character in a Basic/Expert Dungeons & Dragons game I'm currently playing (it's the version of the game from 1981). His name is Ulemataz! In this world, he's from a country called Argos that is a combination of ancient Greece and Babylon. HIs magic missile spell is "suppose to be cone shaped objects like Bugles chips" :D
I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
I crawled right up to Daddy's modelling mirror which stands on the floor by the box of plaster. A great big black creature was creeping towards me.
I got cautious and stood still. The creature was shapeless. It was one of those creatures that can spread itself out and creep under the furniture or turn into a black fog that gets thicker and thicker until it is quite sticky and gets all around you and fastens itself to you.
I let the creature get a little closer and put its hand out.
The hand crept along the floor and then was pulled back suddenly. The creature came even closer. Suddenly it got scared and ran quickly in an oblique direction and stopped still. Now I was scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Going all in with practicing bird anatomy (found myself seriously lacking in it). My brain can be quite a B**** when it comes to anatomy, because I always seek to "bring characters to life". Here, I was practicing on the body underneath the feathers and fluff... And end up using the shape of a chicken as a reference... XD
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
I love to come up with these mindless but interesting hard surface shapes and technical stuff. It has a meditative effect on me like drawing mandalas ^^ Inspiration comes from Tsutomu Nihei again.
To help pass time and keep my creativity at the front of my brain, I keep a half sheet handy and challenge myself to fill the page with lines, shapes and shadows before the shift is over. Never a theme planned I let the pen take me on its own adventure. I’m just a passenger.
After 1.5 hrs of experimenting...
It wasn't easy to decide on what body shape my character should have. Through an "intuitive approach" of shifting anatomical proportions, it was still decided to remain on an avian's concept instead of a wyvern's. Wyvern can be kept to the wyvern... The phoenix needs something more like an bird's, after all.
p.s: I also have to remember to keep the neck shorter...
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
"This digital artwork represents two snakes coiled in a helix, symbolizing the indissoluble union between physical and mystical life. The intertwined shapes evoke the structure of DNA, reflecting the fusion of science and spirituality and inviting reflection on how these dimensions are woven into the fabric of life."
This time I designed a logo using a special style of Arabic calligraphy called "Al-Diwani". This style is distinguished by its flexibility and beauty. Besides its capability to represent and any shape that I want using any words; so I can illustrate and draw anything using this style.
By utilizing the beauty and flexibility of the Kufi writing style, the word "FATMA" is illustrated in a triangular shape. The word is sculpted on wood via simple tools and was colored with pencils and markers. For my beloved Mom.
This is watercolor using the negative painting technique where you paint around your subject using multiple layers which creates depth. This has greater than 8 layers of watercolor washed around the tree shapes
