This landscape is a finished work, and is designed to relax those who are weighed down by work.It is of an Irish Berry Field. I did it mostly from imagination, but I did use some photo reference to get the background right.
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
I just finished this for a friend. He is in construction and it seems like we're always talking philosophy and where we fit in the universe whenever we're working on a project together.
Saw this missing cat poster whilse out running errands the other day which started off with the sentence "Answers to Esme", and those words have been circling around in my head ever since. Naturally, the end product here had little to do with the finished artwork!
My first ballpoint pen person. This was a lot more time consuming than I expected, but I'm glad I hung in there and finally finished it. The reference for the drawing was a Getty Image.
Finally finished! This project took many long hours (about 8-9) and reduced my brand new 6B pencil to nothing but a tiny stub... “Black Gold” is done in graphite on 80 lb drawing paper. If you are interested in prints please contact me via my website.
This is my most recent work, just finished. I really had a lot of fun with this one. It didn’t turn out as colorful as I hoped but the contrast is spot on. If you’d like to give me a suggesting, i’m still trying to decide if i should fill the lower right chest area of the horse. It doesn’t make sense to leave it blank but i’m afraid changing it might ruin what I have. Any opinion is welcome! :)
Over a year ago, I finished my Robin Williams portrait, and I decided I wanted to create a series of different black and white portraits. So far, this is the happiest I've been with a piece in a while. There's no expectation, there's no real pressure on this, it's me falling in love with painting again. I've only been working on this for a week, so there isn't a ton of progress. I suppose I'll reveal who the person is later once more progress is made but for now, enjoy.
I'm working on details and silhouettes.
It's the first concept of illustration with a lantern. I'm going to do more in that style with even more details.
Redrawing finished works is an excellent opportunity to develop skills and see progress.
Have a lovely Wednesday!
