- Oil painting of a countryside of Vietnam. When observing, it is easy to see an image erected when people are working in the field, along with the early morning time, so it has created a beautiful picture. Each object in the picture has its own highlight, full of attractive looks. Although it is a picture of a simple landscape about people in the countryside, every little detail is meticulously painted by the author. This painting is owned by the author "Uilliam Potter". This picture was drawn and uploaded to show everyone the inherent beauty of a rural village, if you have the opportunity, come and feel it. Get the beauty here in the most realistic way.
- Please contact me via Email: williampotterowners@yahoo.com
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
Inspired by the wonderful tutorial by rafy A, you can find it here: https://youtu.be/JM-esQnGIhQ
Camera photo source: https://www.pexels.com/photo/aperture-black-blur-camera-274973/
Forest and child source: Unsplash.com
Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
ink on paper; I learned a lot from this and think I can make the next one will be better! I actually considered coloring this but a family member said don't do it! : )
George the mouse found himself in a pickle. He had discovered the most perfect mushroom house at the end of an alligators nose. The trouble was the door was too small and he could not get inside...
Unfortunately, I broke up and separated with my girlfriend prior to Christmas. If there is an upside, it is that moving by myself has led me going through old work I’d packed up in various boxes - not opened for years. This is just an abstract biro doodle (+ markers for colour) I doodled, while working in a stupid telephone interview job in my early 20s.
I let the chickens and the roosters out to have their daily walk. I need to keep an eye on them, there might be foxes around. The raspberries had ripened, and needed to be collected before they rotted on the branch. The stork flew by, and sat on the roof of the abandoned house nearby. The storks live next-doors, quite lovely neighbors. He was watching the chickens with me.
I don't know why these all upload sideways, but here's my latest work for the sketchbook. I created the electric field pattern and printed it on photo paper then doodled these rainbow trout (at the suggestion of my friend Andrew) and glued them on.
I doodled on an IKEA lampshade. The bulb blew though, so I replaced it with my phone on the inside while using a colorful flashlight app. Video can be seen on my Instagram (@girlagrafi).
Sakura Pigma Micron pen and DR PH Martin Radiant Concentrated Watercolors. One side was painted, then embellished with ink, scanned into Photoshop, copied, flipped and pasted to make the two sides. (Fairly large image, so I included a couple of details.) Silly but fun to do. A little "acid" and a few hours of gazing is all you need for a profound experience. Ask me how I know.
This is a piece I did for a short film about the life of a victim of sexual abuse, after all the court cases and conviction. The film wanted to show the side that you don't see, the director wanted me to paint a picture capturing that emotion. Although I have never been through it personally so I cant speak on the feeling, I hope this makes you think about someone who has been having a battle in their mind. Give them some love !
