Watercolour crayon, crayon, fineliner and acrylic paint... . . . . . .. ... . ... .. ... . .. ... .. ............ . ... . . The tree is weary crying for some help, its roots are drowning and the taps on full pelt. Its head cant speak the evil, hear the evil, see it. Whilst its occupiers point the fingers at each other and dont even believe it... .. ... . .... . .. .
The Manchester Moleskine project sent me one of their custom Moleskines as a winner in one of their contests. It was a grid Moleskine so I asked them what I should draw on the first page, and they suggested the word 'Inspire'.
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Meadhbh in front of wall of plants. 2024, Ballpoint pens on 5” x 8” (10” x 8” Double page spread) acid free Moleskine sketchbook paper, Adobe Photoshop.
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
From a snap of me sitting in the waiting room. Pencil, Charcoal Pencil, Pastel Pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.