I found this grouping quite challenging to draw.
Also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae. The sculpture is a Roman marble sculpture copy of a lost Greek original from the third century BCE. The piece is in the Uffizi collection in Florence, Italy.
The past two days have been interesting, to say the least. My anxiety kicked up again, yielding two more panic attacks...oh joy. There's an increasingly chaotic external environment: COVID-19 positivity rates rising, looting, SAT nonsense (thank you College Board for not giving anyone information and for being very uncooperative). Am I angry at people in the world? Yes, and I know that's a generic, over-used phrase, but I truly am. I'm tired of all of this. I'm aggravated with the current state of the U.S. There's moments where things feel fine, and others when it feels like things are closing in. No one knows what the next few months will bring and tensions are high. Will things work out? They will eventually; they better. But, at the same time, what the heck is even going on anymore?
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
Situational awareness is important these days. Pre-pandemic, I sometimes take my doodles to coffee shops during my lunch breaks and relax for half an hour or so by mindlessly scribbling/shading with my Bic pen. People usually leave me alone but this drawing made me realise that not everyone wants to see a man drawing a naked man. A few people took exception to my subjects’ lack of clothing and made their displeasure known by telling me. Suffice to say, I try not to go into coffee shops anymore while working on subject matter that might offend anyone. Bic4 Ballpoint Pen on 9” x 12” Archival paper. Model: Malik_E
Second drawing of Amy with her arms up. Based on an earlier sketch that I’ve posted. Bic4 Ballpoint Pen, Hello Kitty 10 Colour Ballpoint Pen on 9” x 12” Archival paper. Model: Amy_D
A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
A breakdown of the Bic4 pen and No-name 10 colour pen layering that I’ve used.
Drawing in a single direction instead of using back-and-forth movement alleviates some of the blotching that happens when using ballpoint pens. The back-and-forth method usually deposits the gunk that builds up on the tip of the ballpoint, smearing them in unexpected and unfortunate places on the drawing. When using the back-and-forth method, I usually have a napkin handy in order to clean the tip of the pen. Model: Meadhbh (Maeve)
Drawing the tattoos gave me fits, but I think it turned out ok. Feedback? Critiques??
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper. Model: Amy_D
Watercolors and fineliners on Aquarelle, 300 GSM. Fantasy has always appealed to me ever since I was a kid, and I often find myself lost and wandering around in the fantastical world of "could've been's"
