I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
Not a new OC but I changed his look due to him being green colored previously so now he is a yellow slug demon instead of being a green slug demon plus he has mouths instead of eyes.Im still tweaking his design to make him more uglier.He is a creature type demon which makes him easy to defeat moreover he can be killed by any demon (high rank or low)he can't be killed by creature types that are weaker than him.All he wants is a life long lover to marry and have offspring with but he still manages to be annoying and violent.He's another villain Snidecious and Fedren meet.
I know this is simpler and a quicker piece, but this is the drawing for my August journal. I started doing these back in March, with each month's drawing being based off a song. This month is "Golden Slumbers" by the Beatles, July was "Tower of Babel" by Elton John. (The pencil sketch eye I previously posted is indeed now in my journal.)
The silver lining of this shelter in place is my daily afternoon walk to put my son down for a nap in his stroller. In our previously scheduled life, he would fall asleep on the drive home from school. These are non native eucalyptus and my beloved favorite tree, a Monterey pine, on a shady side trail of Golden Gate Park.
"Facade" depicts the duality between constructed appearance and natural image. The old woman manifests societal idealization of beauty within her headpiece, burdened by the intricacy. Aesthetically pleasing symbols around her echo the notions of her manifested identity. This facade subconsciously contributes to continuing superficial values.
This is Zell. When he’s not hanging suspiciously around crime scenes or dropping hints on police officers, you can find him walking his pet three-headed hellhound or eating omelets with his favorite murder club member.
Situational awareness is important these days. Pre-pandemic, I sometimes take my doodles to coffee shops during my lunch breaks and relax for half an hour or so by mindlessly scribbling/shading with my Bic pen. People usually leave me alone but this drawing made me realise that not everyone wants to see a man drawing a naked man. A few people took exception to my subjects’ lack of clothing and made their displeasure known by telling me. Suffice to say, I try not to go into coffee shops anymore while working on subject matter that might offend anyone. Bic4 Ballpoint Pen on 9” x 12” Archival paper. Model: Malik_E
One of my favorite cartoon tomboys and my favorite character from Recess.This actually turned out well since I took long coloring (as usual) but i'm still considering switching to Photoshop.Everybody should seriously watch Recess,It's an outstanding,delightfully fun,memorable cartoon with a diverse cast of characters (like Hey Arnold)It deserves more love and praise.
Living, breathing, and creating with nature
When you wake up to the gentle sights and sounds of the pond, trees, plants, birds, bees, and dragonflies, inspiration flows effortlessly. So, when the owner asked for a menu design for @SarayaGoa Art Café, I thought—why not let nature speak for itself?
Using pen and ink, I captured the beauty of my mornings here—each stroke reflecting the lush surroundings that make Saraya unique. Instead of focusing on just food items, I filled the cover and inside pages with illustrations of the vibrant life around us. Dining here means eating among the green, surrounded by the diverse plants of our permaculture gardens.
This study is a tribute to the beauty that shapes every meal at Saraya.
Done 2022 with lead pencils on 11x17 strathmore drawingl paper. just wanted to draw some image with some story to it cuz usually my drawing do not look like it has stories. Original art is up for sale $60 USD (shipping fee will apply) email me jungmeister4@yahoo.com. This prequel, it is revealed that the Cârța Monastery was built somewhere in Romania by a duke centuries ago. Becoming obsessed with dark magic and Satanism, the Duke attempts to summon a demonic force from the catacombs only to be killed by the members of the Vatican who then sealed the rift with the Blood of Christ. Hundreds of years later, the monastery was bombed heavily during the events of World War II, releasing the same evil spirit from its imprisonment. The demon had since taken the form of a nun as a means of blending with the other nuns as well as to mock their faith. Throughout the years, nuns continuously prayed in communion to combat the evil, but in vain as the demonic entity walked freely around the monastery all nights, in the form of a nun to mock their faith.
In 1952, Valak had slain several of the nuns, leaving only two survivors. Sister Victoria, with a key in hand, commits suicide in order to prevent Valak from claiming her as a host. Sometime after her death, the Vatican tasks Burke and Sister Irene to investigate. Valak manipulates the characters throughout the film ranging from creating mass illusions with the ghosts of the slain nuns to weaken Sister Irene and tormenting Father Burke by taking the form of a young boy who had died from a botched exorcism at his hands. Valak then buries Father Burke alive before luring Sister Irene to become possessed. When the catacombs began to flood, Valak tries to strangle Sister Irene to death. While inspecting her for any vital signs, Sister Irene spits the Blood of Christ onto Valak, burning it severely. The rift is then resealed. However, this would prove to not be the end of the Demon Nun as when the group was leaving, Frenchie, a French Canadian otherwise known as Maurice is revealed to have an inverse cross branded on the back of his neck. This segues to the original Conjuring film during a lesson the Warrens were giving about demonic possession. Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calaneder. https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
‘Anatomy of a Steelside’
A little something related to a book I’m writing, ‘Nighthammer’ – in the world of my book, various factions wage war via flying battleships known colloquially in-universe as ‘steelsides’.
These flying platforms are essentially a science-fantasy version of early/mid 20th century navies in our world. Large propellers inside funnels keep the thing flying, while huge, side-mounted paddles push the steelside, ponderously, through the skies.
I’m still figuring out some of the looks and some of the tech, but it always helps to have your own schematics!
Got a drawing prompt that was redscale and toilet paper. Whatelse do you do but a monster. Seriously, other then dark and disturbing where do you go with that?
He stares at the small square black device. The red led in it keeps blinking simultaneously with the beep and, except for one small button, Neal sees no other modules.
“…This is weird,” he says aloud.
When Satchmo makes another louder puff, Neal decides to go ahead with his friend’s advice and press the button.
you step carefully around the purple flowers blooming sporadically across the forest floor. it is very late at night, and you know that you shouldn't be wandering this uncharted planet on your own at this mysterious hour. but something in the trees beckons you subconsciously. as you begin to clamor up steep, untread areas of the landscape, you discard you burdens--a first aid kit, your water, all the suddenly unnecessary contents of your pack. something primitive roars inside of you. your pace increases; you now feel the shear closeness of whatever you are chasing so starkly. your feet and hands slip as you grasp onto the trunks of trees and throw your feet ahead of you with such purpose. at last, you arrive at a clearing--and there she is. and she is like nothing you have ever seen before. she is not human, far from it, but your passion for her claws at every inch of your insides. she is not like any creature that has walked earth or neptune. she is something entirely different, and you have fallen in love with that--with her.
(2B pencil on 178mm x 114mm paper) An image of a line of shadowy figures, all chained together, going hopelessly and reluctantly in the same direction. Above them is a wisp of some scent or sound that was never meant for them.
