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son

Ellis Illustrations Ellis Illustrations
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Into the wilderness

Another illustration! Not a resemblance of anyone, just a simple person who roams freely outside!

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Shann Larsson Shann Larsson
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First Moon

An old sketch - just found out tonight will be the first full moon of the year, also known as the 'wolf moon' (Jan 28th)

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Bleu Hope Bleu Hope Plus Member
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“May Song Sing”, May 2025.

One year ago post-Beltane, I was drawing even more narwhals. As you can see? Some things never change!

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Victoria Grilli Victoria Grilli
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Friends from Work

Commissioned portrait of my coworker and her son. Done in Winsor &Newton pro watercolors on Utrecht cold press watercolor block

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TimShch TimShch
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Relationship Manager

Jen Barber (Katherine Parkinson) from "IT Crowd".

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Lena Zvereva Lena Zvereva
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The sea, mountains and the actual rain (resulting in the stars)

The colors: alizarin crimson, phthalo blue and some kind of anonymous orange (not cadmium)

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Stephen Stephen
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Peter took His Eye off Jesus and began to sink.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

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BeastGurl1989 BeastGurl1989
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My honest reaction

So yeah, I will color this image and add a word bubble. But um, this was my honest reaction to season two of Hazbin. Soooo, I will continue the roller coaster ride, but my ears will burn from the singing and my eyes will be scratched out due to the content in which I am forcing them to focus on. I might even go see a therapist and question all my life choices.

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Marina Marina
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Noa Rabiner (BSD OC) in different style

Here is anime style: https://www.doodleaddicts.com/uploads/69316/noa-rabiner/" Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

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Shann Larsson Shann Larsson
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UMV

watercolour, gestural

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Bleu Hope Bleu Hope Plus Member
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“Tailspinning”, January 2025.
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Sega flavoured fan art time! Of course I had to go with my favourite character from the Sonic games, heheheh :-)

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David Wilson David Wilson
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Figures Strewn Like Fallen Leaves

Oil on masonite (compressed hardboard)

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Bleu Hope Bleu Hope Plus Member
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“Wholly Unrelated To Frankie Valli & The Four Seasons”, January 2025.
1/2

Had to make the pun! Although my girlfriend thinks otherwise, that I will say…

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Iordan Daniela Iordan Daniela
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Stranger things

Drawing on Black Canson Paper

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Iordan Daniela Iordan Daniela
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The visit

White charcoal on black Canson paper

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Iordan Daniela Iordan Daniela
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Hawaii soul...

sketch practice... oil pastel on Canson paper format A3

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Ed Ed
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A Calm Distress

An article/rant/annotation to an illustration. A #Hackney bar and its flies. This picture is not as sad and blue as it might at first seem, I promise. It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly. In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism. In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever. The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage. The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance. But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence. But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?

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The Covatar The Covatar
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Dwayne Johnson

It’s about DRIVE, it’s about POWER, we stay hungry, we devour Put in the work, put in the hours and take what’s ours! Do you recognize these lines? Dwayne Johnson has become an icon of this year! His inspirational vibe will leave no one indifferent. We hope The Rock’s portrait by Musyupick will also inspire you to this productive holiday season!

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Marina Marina
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Cameron Monaghan Study

Need to rework Jean. Did this during my art lesson.

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Trần Anh Tú Trần Anh Tú
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Landscape paintings

A landscape painting is painted with oil colors and the owner of the picture is: Tran Anh Tu said that he took advantage of the remaining oil colors to make a majestic and beautiful picture, poetic like this. The painting was uploaded on December 19, 2017. The images here are copyright of the artist who created them. These landscape paintings are completely owned by photographer Tran Anh Tu. Contact Email: sprottbqamelljra@outlook.in Link url to my personal Facebook post: https://www.facebook.com/permalink.php?story_fbid=118048953913487&id=100071251492403

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RisenArt RisenArt
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Wish I had a Brain

Oldie but cutie. Sonic belongs to SEGA.

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kid tiki kid tiki
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The God of Saxophone: Sonny Rollins!!!

Sonny Rollins, saxophone, love, doodle

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Jasmin Jasmin
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Puddytat

...as my daughter says. Watercolour on watercolour paper. Mixing all the greens was real fun. I enjoyed every minute of creating this piece. And, of course, the first person I showed it to, found some fault with it...

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Iordan Daniela Iordan Daniela
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To Look at you

Acrylic on Canson Black paper

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Ed Ed
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Church Street

Winter strikes Stoke Newington and the scarves come out along Church Street. Pops of colour and man's best friend help get us through the most trying of seasons

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Bleu Hope Bleu Hope Plus Member
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“Jason Robards”, June 2025.

Nothing much to do with the actor here, have to confess!

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Cédric Charrier Cédric Charrier
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Les spectaculaires 2018/2019

Réalisation d'une affiche/programme A3 pour la saison 2018/2019 des Spectaculaires de L'Excelsior. des spectacles de théâtre, d’objets, marionnettes, cirque présentés en séances Tout Public à la Salle Jean Carmet à Allonnes près du Mans. http://lexcelsior.fr/category/les-spectaculaires/

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Mike Litecky Mike Litecky
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100 Dogs (#21)

Personal project to draw 100 pups.

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David Young David Young
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Queen Emily

Emily Dickinson playing card

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Juan Pedro Ramos Ponce Juan Pedro Ramos Ponce
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The bridge

Personal piece.

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