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son

Wren Winton Wren Winton
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No, Its MY Jacket

Jason Todd & Tim Drake just goofing around. Need I say more?

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Chris Tomley Chris Tomley
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Beginning Head Drawing practice

So I've started beginning Head Drawing with Steve Huston. This is my work from his first lesson on gesture.

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venus venus
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eager beaver

two conflicting self portraits of the same person (me) substance is tricky

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susanne susanne
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Pelican, acrylics on paper

Quick drawing, acrylics on paper. Sketchbook. Trying to give personality to the bird, its own character.

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Will Mock Will Mock
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Gods Son

Nas Is Like

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David David
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Old Dean

I was wondering what my young grandson Dean might look like when he was much older and this is what I came up with.

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Jack Jack
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Daniel (initial doodles)

Some early doodles of Daniel when I was still deciding on what physical traits he'd have as a cat person. He was eventually based on chimera cats.

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. .
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Watermelon as a person

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Vladimir Khavkin Vladimir Khavkin
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Friends

Inspired by my son playing with his puppy

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Aman Aman
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Embroidery lesson

This art piece underlines the duality of eastern and western cultures. I love when they combine. I’m a first generation Canadian with Indian descent. My artistry shows that duality of co-existence

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Juan Juan
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Hockeyman

This is a painting I made for my son who is a big hockey fan

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Imani Spence Imani Spence
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Ginger Beauties

This is a quick painting I did in my sketchbook in order to help kickstart me back into painting. It is painted in Arteza brand gouache on Canson watercolor paper. I've gotten into drawing plants lately and I think these ginger plants are a new favorite of mine.

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AspenRain AspenRain
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Phantom

My sOn. In front of a purple blob...

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Andy Yun Andy Yun
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THE GRAND BUDAPEST HOTEL

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Old bone story and artwork Old bone story and artwork
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Puppet Zvonko, creative pain artist, a source of wisdom, funny picture, short story

A 3 format We love when Puppet amused! We always learn from The Greatest! Warning! The following text is intended for fans of Puppet Zvonko! People with poor cognitive abilities may remain confused. We Puppetapostles, we keep track of what our Lord Puppet is doing, we study each of his movements, each his word is recorded and subjected to philosophical analysis. And always, again, over and over again, our conviction is strengthened every time: He is the God of eternal wisdom and the correct procedures! It is known that Puppet Zvonko - for their own entertainment - whips, branded and cuts people with a razor, often with mortal consequences. We gladly approve of it, it is reasonable to Overpower must feel comfortable and have fun, with us, miserable microbes. We are happy that we are honored with its perfect presence. For the last month, we noticed that his Torture Trinity (razor, whip, stamp) was exclusively used by one unbeliever, just a blow - two, and then Puppet goes away. Instead of showing happiness which the Puppet is experiencing him at all, touching his pagan body with sacred objects, the unbeliever tries to hide, of course, in vain. We Puppetapostles, we also know that most of the inhabitants of the Magic Valley, to say the least, does not approve Puppet Zvonko proceedings (here we mention that those miserable ones, blind with healthy eyes, The Puppet is called a monster, concentration of evil and other totally wrong names). The Puppetapostles remain in their firm claim: Puppet Zvonko sends his sacred, allegorical messages to the inhabitants of the Magic Valley by his actions - and other beings - who are sufficiently mature to accept the truth, final knowledge, the purpose of life. Now comes the time when we need to understand why Puppet bothering just one unbeliever for a month! Have we developed enough cognitive power or we are just miserable microbes - how does Puppet claim?

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LeBoucher LeBoucher
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L’abstraction radicale  de Claude Viallat

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Liz Liz
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poison

a bit late whoops

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erik cheung erik cheung
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Disintegration

Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.

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Shawn Malloy Shawn Malloy
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Grisham Garrison

Acrylic On Canvas 9x12.

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Caaji Caaji
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Unicorn Zombie Apocalypse

I was inspired by an artist called Meyo, I also was inspired by a song called unicorn zombie apocalypse. by BORGORE & SIKDOPE.

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-_o -_o
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untitled2

EDIT: For some reason I could upload yesterday. Tried 2 times, didn't stay up.

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Ny Nguyen Ny Nguyen
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Inktober 2018, Day 1

The topic is poisonous. I went with an Io moth caterpillar. I've also hidden a 1 in the composition. Spot the 1!

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Mariana Gomez Mariana Gomez
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Gods mistakes

This illustration has been inspired on a placebo song. Meds.

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priscilla galindo priscilla galindo
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Poison Ivy
1/4

I was feeling pretty depressed and a friend of mine told me to draw her something..."Poison Ivy actually."

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Helene Mckerlie Helene Mckerlie
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Simple Elegance

This sketch started as a boredom buster. I tend to doodle eyes often, but occasionally those eyes become a face or in this case, become a person. ☺

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John Kane John Kane Plus Member
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Us fellers

Adapted from a photo of myself and my two sons. Background is odds and ends

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Stephen Stephen
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The Game of Life

Title: The Game Medium: Acrylic Paint on canvas. Size:24” W x 36” H x1” D Year Completed:2026 The first conceptual design for this painting is an ink rendering entitled: The Window of The Soul. The inspiration behind the design is the concept that Christians are supposed to be windows that God’s light can shine through. But the Christian sin nature can block that light from filling a room. The same way window drapes do. In the design the soul is represented as the inside of a house. The stair going down represent Hell. The stair going up to the second floor represent Heaven. The stairs going up to the second floor have no railings, this show that the assentation of the stairs must be made by faith. The Stairs leading down to the basement has a protective railing around it, representing that God is not willing that anyone should perish, but to repent from sin. The Trinity of God is represented by the cultic three Leif flower that is part of the railing that surrounds the subsurface stair well. The second inner railings represent man-controlled descent. No one fall accidently into Hell. People move closer to Hell with every action of rejection toward God they make. The world globe represents, all humanity needs to decide who they are living for. There is no neutral ground. The checked board floor pattern illustrates this reality, the black spaces with the upside-down heart points to Hell. While the white space with the upright heart point to Heaven. The open door with Jesus standing on the outside, represents the need for a savior. Humanity is separated from the direct presence of God, due to their sin nature. God can not stand the presence of anarchy, when Lucifer leaded an armed revolt against God’s Lordships, after he and third of the angel lost the battle, God created Hell , a place of internal punishment, where the enemies of God will dwell. God had warned humanity, that the day they disobey God, they will surely die. So out of compassion God sent His Son to fulfill the righteousness required by God’s Holiness. Jesus lived a life 33 years without sinning, even though He was temped as we are tempted. God’s son was then treated like a criminal, beaten with in an inch of His life, then took the place on the cross as a substitute for a murder and thief named Barabbas. God poured out His wrath on His son, so through faith the unrighteous can be forgiven and made righteous. By putting their faith in God’s savior, and turning from their old rebellious living, and walking in the newness of His Holly Spirit. The second floor is supposed to represent the entrance to the kingdom of Heaven. The lion’s heads in the wallpaper proclaim that Jesus who came the first time as a sacrificial lamb, is now coming as the conquering lion. The open door with the cross on it is the entrance to Heaven. The railing on the second floor with the fish standing on their tail with a cross in the mild of them represent the support of the body of Christ during the Earthly journey toward Heaven. Temptation of the world are represented by the Victorian wooden staircase and fancy rug, the roman columns. The Greek saying on the headier: Eat, Drink, he merry, for tomorrow we die. Stephen J. Vattimo 8/27/2026

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Arthur Louis Arthur Louis
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HOW I CAME ACROSS A RELIABLE AND TRUSTED RECOVERY TEAM: DIGITAL LIGHT SOLUTION

A while back, I jumped into a global property deal, saying folks like me could cash in on hot foreign housing scenes. Real estate - sure, everyone knows it prints money, a big-time industry worldwide. It looked solid at first - they showed me online walkthroughs of places I partly owned, got me pumped. Still, there was this weird vibe nagging me, hard to explain, just wouldn’t quit bugging me inside. I ignored it though, brushed it off, kept going anyway. One thing I’d say now? Listen to that inner voice - every single time. I kept picturing the steady cash coming in, which blurred how clearly I saw things. At first, they paid me consistent returns, making it feel legit. Over time, though, I poured more money into it. Before long, I tried pulling out bigger amounts - but then the payouts just vanished. The reasons they gave shifted every week, and not long after, they began asking for added charges to fix the withdrawal issues. Still, I’d spent every dollar - put everything I owned into it, thinking it’d be okay. When things went south, I panicked, then remembered a name: {DIGITAL LIGHT SOLUTION}. Found them through some random post while scrolling late at night. Honestly? Didn’t believe they’d help, but they jumped on it fast, scanning stuff I didn't even know existed. Right away, knew these folks weren’t messing around. Used hidden clues online, tracked down where the cash got moved, then fought to pull it all back into my hands. I'm happy the hard work brought results - my full investment was back in just 72 hours thanks to the team handling my issue. I reached {DIGITAL LIGHT SOLUTION} through T e l e g r a m -- d i g i t a l l i g h t s o l u t i o n And E m a i l.d i g i t a l l i g h t s o l u t i o n (@) q u a l i t y s e r v i c e.c o m

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Guilhem Guilhem
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Cyberpunk

Some robots, and some punk drawings. Reference of the robot: "Neon sentiel, the watcher" (Digital Archive), Reference of the punk: "Kings road, London, 1977" (Steve Johnson)

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Pranav Korla Pranav Korla
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Suave Lizard

A suave, gentlemanly lizard who's a bit of a judgy guy. Don't take it personally, he looks down on everybody :/

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