"The Explorers" 14ft tall by 48ft long mural painting in Vienna, Austria alongside my friend Dead Beat Hero this past weekend. His comic book style robot characters emerging from the river into my crazy cartoon world.
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
This black and white ink drawing portrays an aged man with a beard lost in deep contemplation within a futuristic spaceship setting. The subtle hints of sadness on his face are contrasted against the vastness of space, where the Milky Way is barely visible in the background. The artwork evokes feelings of isolation and reflection, inviting viewers to ponder the human experience amidst the cosmos.
A motif I having been enjoying in my sketchbooks lately but this time experimenting with positive and negative space. Watercolor and Posca pen in 8.25x11.75 Moleskine sketchbook.
The implementation of the project for the Akademos kindergarten in Poznań has ended. The idea behind the project was to create a jungle staircase in which children will be able to cover something new every day while walking down the corridor. Many animals, reptiles and insects are hidden in the thicket of plants. So that the number of details and small elements does not overwhelm the space, we used a black and white combination with small colorful accents, which are also to stimulate the imagination of children. Realistically painted birds are an additional decorative element, which can be a background for photo sessions.
Many thanks to @czapski.gallery for providing colorful paints, as well as to the kindergarten team who supported the activities.
46
I tried to go a different approach this time with my planets. I was tracing the circle and I said to myself wait a minute, it doesn’t have to be one planet they can be 2,3,4,5 planets if I wanted too, so I decided to just draw circle on top of the circle and then a smaller planets next to it just make it more interesting. I have all the space so I should be able to use it. I also did the same thing on another panel and then that’s pretty much it and you’ll see the rest of it tomorrow.
I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space.
Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.
This critter's technically unnamed, so if you have any suggestions please comment them, I do like feedback sometimes lol. The scene is set on an eco-planet, somewhat like a zoo but more future tech-y. The ring in the sky is a sort of shield against any stray space rocks as shown. Hope you like it. (older drawing, made with Krita, all my drawings so far were from Krita actually)
![Alpha Five [Fragmeneted Recursion - Webtoon]](/images/uploads/square/72264_complexace_1756887157.9873.jpg)
