I have been listening to astrophysicist's broadcasts a lot this days. Few I like the most are Joe Rogans's with Neil deGrasse Tyson, Brian Cox, Sean Carroll. They talk about obviously space, extra terrestrial life but also religion, people, psychology. I realised that when you think at cosmos level or at subatomic level, the things we worry about in day to day life feel very less compared to the vastness out there or in us. So I think it is very important to get out of the city, to find clear sky and look at the stars up there. It gives a surprising energy which I don't know how to describe but feels powerful.
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
Hey Boos! Yes, it is true, I am a sans au fan. FOr the record I don't ship them (I ship cream ((cross and dream)) and I don't ship epic with anyone) these guys are soooo silly and they are besties (yes there are spaces missing because lasso tool and I was too lazy to fill them in)
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
This work entail the idea of Metaverse 1.0, a virtual space created by the convergence of virtually enhanced physical reality and physically persistent virtual space, including the sum of all virtual worlds, augmented reality, and the Internet. This defines YEAR MILLION, where humankind becomes uploaded to a highly saturated smorgasbord of digital realms where we live out our life in any number of possible ways we please.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
Just a simple little mandala doodle drawing I drew this morning.... getting better a doodle at a time!! Hope to draw better more complex and more evenly spaced out designs in the future. I am a completely self-taught artist who is not at all naturally talented in drawing or any art medium for that matter but am learning and praticing and getting better daily. My advice is if you are a beginner or aren't naturally blessed artistically but have the passion creative mindset and desire to become good at art then keep going keep on praticing and learning from those before you and I promise you will get better and eventually great! YOU ARE AN ARTIST!!
I got to drop into an outdoor class with my beloved teacher from the studio. A space had finally opened up two weeks before everything in SF shut down again. Well, it was good to see her and my fellow students and be in that setting on a beautiful sunny day. I was also negotiating my next job salary and getting phone calls during class, so I wasn't entirely present. The class topic for the day was palm trees. This is in front of the De Young, another place I was so glad to have visited indoors on another afternoon before the latest lock down.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The implementation of the project for the Akademos kindergarten in Poznań has ended. The idea behind the project was to create a jungle staircase in which children will be able to cover something new every day while walking down the corridor. Many animals, reptiles, and insects are hidden in the thicket of plants. So that the number of details and small elements does not overwhelm the space, we used a black and white combination with small colorful accents, which are also to stimulate the imagination of children. Realistically painted birds are an additional decorative element, which can be a background for photo sessions.
This took me about an hour which is great because I don't have much time to spare as I am doing Camp NaNoWriMo this month. I still want to be active in the art space so this will have to do for now. I honestly really love how this piece came out. Again drawing another OC because why not.
Hey boos! this is just a little doodle of a space happy version of my oc Opal. (also currently listening to a playlist of I deserve this, I'm so crazy 4 u, and all I want is you all by rebsyyz ((not how you spell their name lol)) cause they're very deter)
Do you have your own workspace? Lucky you. So am I too :) Remember: surrounding yourself with positive things gives you energy. And one more thing: less is more :)
