„Did you know that you are an aamazing friend?“ Tossa said. „Oooh so sweeet“ the little friend replied. Drawing this made me want to just relax in the garden. For a whoole day. And to enjoy the summer evenings. Wish you a beautiful day!! :)
Well, technically. There's two who look extremely similar: the last one I colored is Aldrich, too, but all the others are Ulrich. If... I've even done Ulrich before.
This is a pumpkin caving of the infamous Nautilus submarine, owned by the pirate captain Nemo . Who sunk ship that supported war, ramming them with his submarine. In this tale Nemo's ship gets attacked by a monstrous giant squid. I caved this design at the Chadds Ford Historical Society's Great Pumpkin Carve contest and event. This is a live carve event. Artist have no idea what kind of pumpkin they will be given to carve. No knowledge of shape, color, size, or condition. Competitors must create their design with manual hand tools. Cavers have 6 hours to create their master pieces, to be considered to qualify to be judged ,to compete for the prize . The size of the average pumpkin is from 200 to 400 pounds , and their wall are about 5 inched thick. It took me 6 hours to carve my pumpkin design. Stephen J. Vattimo 10/18/2021
It is sort of strange how there have been 4 versions of Elizabeth, Preistor, etc., while there have only been 2 versions of Jester--- not anymore, though! A little bit of lore you you all, too ;)
The Soul Harvest
The Soul Harvest is done in a surrealistic style and is spiritual in content. This painting
illustrates the world as being a field filled with souls from every corner of the earth
needing to be saved from eternal death, which is the punishment for sin.
But by hearing and understanding and receiving the good news, through faith in
Jesus’s death for the sin of man, man can be forgiven and have eternal life with God.
The farm tools leaning against the fence are an invitation to those who know Jesus
to pick up their God-given talents and go into the world and use them to spread the
good news.
The inside of the barn, with the wheat sheaths standing up, illustrates the souls that
have received eternal life through the work of the believer, and the crown is their
reward from God.
(October 28, 2017)
The Soul Harvest is done in a surrealistic style and is spiritual in content. This painting
illustrates the world as being a field filled with souls from every corner of the earth
needing to be saved from eternal death, which is the punishment for sin.
But by hearing and understanding and receiving the good news, through faith in
Jesus’s death for the sin of man, man can be forgiven and have eternal life with God.
The farm tools leaning against the fence are an invitation to those who know Jesus
to pick up their God-given talents and go into the world and use them to spread the
good news.
The inside of the barn, with the wheat sheaths standing up, illustrates the souls that
have received eternal life through the work of the believer, and the crown is their
reward from God.
(October 28, 2017)
I've began to make a whole load of album covers. They don't quite correspond to an actual playlist, but they're their own thing. Each album has lore behind it, but I'm not giving it away. It's your job to try and figure things out; like a little puzzle. Drawn with FireAlpaca.
In late 2018, after some time not doing any artwork, I really wanted to get back into it. I fancied doing something different and invested in some soft pastels. This was my first go with them and it was a hell of a learning curve about how they adhere to the paper, and how they blend. I'm not really sure the pastels I was using were soft enough for the look I wanted, but I like how loose this one turned out.
“Whirlwind 1”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 1st in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 1, 2020.
Image showing how masks would work. So the realistic counterparts of Dave, Jack, and Henry look more like they do in the games, they've been given masks that resemble their pixel-y esque faces. Drawn with FireAlpaca.
Black and white, graphite (pencil) drawing. (This is actually the third rendering of this particular image [the profile, specifically, another favorite]. The background differs for each rendering.)
That time when age finally caught up to the feisty Maester at Castle Black, Aemon Targaryen. He cries out to ’Egg’, his brother once in a while and at one point said, ‘Egg, I dreamt I was old!’
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Not all old people are frail, some are healthy and hearty and incredibly robust and sturdy! At first I couldn’t decide whether to draw Maester Aemon or Jojen Reed, who despite being young, also grew frail as he helped Bran across the Wall to help him find the Three-Eyed Raven. I finally decided to save that one for another Inktober word prompt. I did wanted to draw Maester Aemon and honor the actor who played him, Peter Vaughn, who passed away in 2016.
This illustration is part of a book I made. It's a self edited project about good guys and bad guys at the movies and series. All made with Procreate from pencil sketches.
I am a huge fan of this show! The drawing is done with ballpointpens and the skin colour looks a bit strange since I only had a red, blue, black, pink, purple and green pen. Thank you very much for looking at my drawing!!
The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
Shea Coulee is an amazing performer and personality. Her recent work and Instagram feed were the inspiration for this piece. Each layer is digitally painted, but I love the overall screen print feel.
