street

Some stray cats in the greek streets

made with gel ink pen for a future art book about mediterranean way of life. In the streets of Napoli we can find these little virgo statues in every corners and big men shirtless

He's certainly THE MAN now!

This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down. The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.

Petite ink doodle of a bunny I saw on my walk this evening. He was peeking over a street curb and I thought he’d be awfully cute taking a peek over a stone wall.

Illustration for streetwear brand

Original painting by YUKA.

Deepak's also another character from "101 Dalmatain Street".

Halloween mini comic featuring my dog Louis, and is homage to the sign man from the old "Sesame Street" days. https://youtu.be/1VTX53tDkIE - hear it being read.

The image is of an evening scene after a sweet rain. After the sun sets, the Sunset vibes pop up. Pink skies are much more beautiful when roads are wet.

Woody Allen (b. 1935) I’ve found over the years that any momentary change stimulates a fresh burst of mental energy. So if I’m in this room and then I go into the other room, it helps me. If I go outside to the street, it’s a huge help. If I go up and take a shower it’s a big help. So I sometimes take extra showers. “I think in the cracks all the time,” he has said. “I never stop.” - From Daily Rituals: How Artists Work by Mason Currey “Some guy hit my fender the other day, and I said unto him, 'Be fruitful, and multiply'. But not in those words.” ― Woody Allen #dailyrituals #inktober #Woody Allen @masoncurrey

Louise Bourgeois (1911–2010) “My life has been regulated by insomnia,” Bourgeois told an interviewer in 1993. “It’s something that I have never been able to understand, but I accept it.” Bourgeois learned to use these sleepless hours productively, propped up in bed with her “drawing diary,” listening to music or the hum of traffic on the streets. “Each day is new, so each drawing—with words written on the back—lets me know how I’m doing,” she said. “I now have 110 drawing-diary pages, but I’ll probably destroy some. - From Daily Rituals: How Artists Work by Mason Currey “I am not what I am, I am what I do with my hands...” ― Louise Bourgeois “Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.” ― Louise Bourgeois #dailyrituals #inktober #LouiseBourgeois @masoncurrey

doodle on sticker

The first two doodles, the Huckleberry Hound and the social media dog are already on here. But I had more space on the paper, and decided to draw a bunch of dalmatian dogs after seeing "101 Dalmatian Street" on Disney XD, and my 1930's rubber hose dog Dipsy Diddle, whom I've done quite a bit of drawings of.

If you love muscle cars, Mostly the muscle cars are lowriders. They are cool when they enter the streets with loud engine notes.

A beautiful house in the residential area of Jerusalem, drawn from across the street, and rendered,of course, in coffee.

sketch on adesive paper on a bridge pilar

Much like the comic, I had Louis dress up as the sign guy.

streetwise toons, enjoying a stroll.

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

There’s a lot of waiting in life. Waiting in lobbies. Waiting on answers. Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered. I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe. I remember once hearing a chess master say, “There is no waiting in chess.” It confused me—wasn’t there always a turn to wait for? But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.” I once repeated that to a FIDE master. He got mad. Maybe because waiting and patience aren’t the same thing. We can be still and deeply active inside. We can pause without being passive. And then there’s Lindsey’s voice in the back of my head: “That sounds like a first-world problem.” “Speak life.” “Be thankful. Rejoice always.” And she’s right. So here’s to filling waiting time with something creative. Something kind. Something that turns a delay into a doorway.

I was scared of cows when I was small and felt nothing special after I grew up, but I realized how they are cute when I traveled in Laos. I was so surprised to see cows were walking freely without any human on a quiet street in the outskirts of the city. A calf one of them looked us curiously but avoided eye contact shyly. It was really cute

Original ink drawing on 140lb. Watercolor paper, 12"x 18"