Fan Art of my FFXIV Miqo'te chara. I adore her to bits. uwu
If anyone's interested I'll be opening commissions soon for this particular style and others. I'd love to draw everyone's OCs.
PLaying in the studio with watercolour paints and inks - created a planetarium of textural ideas - had great fun doing this and now plan to use some these effects in my next piece.
A moody, very busy day. I did an ink wash of the beach today, but I'm posting the last piece I drew in the studio instead. I miss the studio and friends there.
Second post here on Doodle Addict. I don't know why but this reminds me of Spirited away....or just studio Ghibli. All their art just makes me feel like i'm actually in that place; i can feel the breeze, hear and feel the grass.....Anyways, that's the image i get in my head when making this. Feel free to give feedback or comment on my art, i would appreciate it!
My grandma is a craftswoman . She used to work at a Talavera pottery studio and sometimes I would skip school and join her at work. She would give me an imperfect blank pottery piece and lend me her painting supplies so I could create my own art.
This is the converted school bus that belonged to Route 66 super sketcher Bob Waldmire (RIP). It's here at our museum, so I sketched it one day. It's an amazing studio/home on wheels!!
This sketch is of my favourite junk art yard in Porthleven (where I currently live)- called Wreckers Studio. Not often you get to see a mermaid riding a horse...
3 yrs ago, I was living in a small studio apartment in Dubai, and my kitchen was so small but I loved cooking there. I loved keeping my kitchen organized. The doodle is a reflection of the love I had for my kitchen :)
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
