A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
I really like this piece. I dunno why. His eyes are a litte bigger than I usually draw, but aside from that, it's perfect. I think the cherries are a really good background, due to the backstory of this character. Drawn with FireAlpaca.
Face homework. This was following a couple of super uncomfortable hours trying to draw people moving in videos, which was such a struggle for me (and my deepest art desire right now!).
Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
Yes, indeed, this is a foot. A foot that has taken up 5 months of my life but here we are. For some context, I'm lucky to be able to take 2 art classes this year (senior year perks, I suppose) especially given the strict scheduling connected to the STEM program I'm in. I'm taking Studio Drawing, and this is my first Bargue drawing. Definitely different than what I'm used to doing (and not the most interesting to look at), definitely mildly infuriating at times, but it's done.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
I love the Blade Runner films and the new one had such awesome weird lighting that I had to draw Luv at least once. So here is the crazy psychotic android. Done with a mix of hard and soft pastel.
A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.
I finished it. I thought of this while listening to “Shadows of Mouldwood” from the “Ori and the Will of the Wisps” soundtrack. It’s a protector. Not the good kind. Don’t tell him about the kids that bully you, or the teacher that made you stay after school, or how your father beat you with his belt. When he asks you what you need, just tell him, very politely, you don’t need any help, and make sure you do it convincingly. Because he really wants to help.
