Another work created in Lockdown in Berlin. Drawn on a piece of drafting paper from an ingenieering student in Leipzig, 1923. Like the cellar it was found in, it expresses a longing to be outside. A longing to feel of use, a job to go to or someone to visit. It is confusion and patience drawn out thin and ready to snap at any moment.
I have no mouth and I must scream! ink, watercolour, gouache and gold leaf on paper, 75x50cm, 2020, POA. Another artwork created in lockdown. A reflection of and introspection into thoughts and feeling of living during a pandemic.
(HB pencil on 120mm x 100mm paper) A dreamscape piece (automatic drawing) which seems to have an almost planetary feel to it with the glowing orb and the line of spheres which developed.
"If you're a goblin in need of a smoke, you know where to go" Part of a series I've started with monsters in the modern world, this is the digital work I've liked the most so far, but I'd appreciate feedback on anything I could improve on.
Due to financial/logistical reasons, I can't do literal linocuts as often as I'd like, so I draw my illustrations in reverse, flip them digitally, have them printed, and then color them in by hand. The result is basically an "artist's print". I only make one of each. These were watercolor, but I've recently discovered gouache, so keep an eye out for future pieces that incorporate that.
This drawing is a compass, but it’s not only a compas. It has the world in it in little triangles. Follow me on instagram for more of my work: @romy.e.art
(Black biro on a 139mm x 89mm postcard). Another dreamscape piece that uses automatic drawing techniques to produce random imagery. I was going to call this one "bloodlines" due to the shaded central areas which developed, but the lettering in the bottom-left corner began to take shape and so I highlighted them and used them as the title.
A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
