I often have weird dreams that inspire my artwork, and that one I had last night where I took over a jungle (or was it a forest? I don’t know) sure got me inspired.
It's an odd feeling to reexperience the old anger and frustration I thought I had overcome, but, in all reality, I've been letting it creep back in for a while now. There was a moment of fear, it's still in the back of my mind, I'm afraid to slip back into the mental place I was a couple of years back. I'd like to say I've finally realized that it's ok to be afraid, and even a bit frustrated, but it's a matter of how I handle those emotions and my own reactions that make the difference.
Sower and the Seed
This painting illustrates the parable “The Sower and the Seed,” a teaching of Jesus
recorded in the book of Matthew chapter 13. The four hearts in the sky represent four
different responses of those who hear the Gospel message.
The heart on the lower left represents those who have heard the gospel but reject it.
The devil then comes and takes it away from their hearts. This is illustrated by the
crows flying away with the seed that fell on the road side.
The second heart on the upper left side of the sky represents those who receive the
gospel message with joy, but it doesn’t take root in their faith, and their faith is temporal, falling away when trials or affliction come their way because of the gospel. This
is illustrated by a grape vine withering away in the heat of the day due to a lack of a
deep root system.
The heart in the upper right corner of the sky represents those who received the gospel
and believe, but the worries of the world, and the deceitfulness of riches, choke the
word, and it becomes unfruitful. This is illustrated by the grapevine being choked out
by a purple, flower-bearing, climbing, strangling vine called, morning glory.
These vines produce pretty flowers, but they are an organic farmer’s enemy because
they will choke out his crops. I learned this firsthand in organic farming when I was a
missionary for a couple of summers.
The heart in the lower right corner of the sky represents those who hear, believe, and
are committed to living for the gospel, so they produce much fruit. This is illustrated
by a healthy, strong, fruit-bearing grapevine. The tilled field represents the world that
God has prepared to receive the Gospel message. The sower represents all Christians
that are commanded to go into the world and proclaim the gospel message. The seed
being thrown by the sower represents the gospel message going out to the world.
The seed bag has written on it, “The Word Seed Co.”
(October 28, 2017)
Even if it is (in my case at the least) just doodling away to the point of allsorts in the hopes it’ll make at least one person a) happy b) perked or c) amused, do good and be good in wake of the current shitstorms in the making.
More for another day...
Side Face Sketch by Oz Galeano
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At the end of all this self-isolation, I have no doubt folks will be as hungry as that Dalmatian pupper I named this piece after. Hungry for some actual social interaction in our cases, that is...
Golem. done 2013 with colored pencil and put backgrounds and i did more work to the character in yr 2022 and yr 2023 did some digital thing on it .
My art book is available to purchase. To purchase my art book hit the link.
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Books&CPID=1133
Jung here. Done with lead pencils on 11x17 bristol paper. One day I was flipping through Frrank frazetta art book I had and one of his painting inspired me, so I close the book and started to draw and this image came about. Original art is up for sale $90 (shipping fee will apply) USD email me jungmeister4@yahoo.com
Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
Acrylic on canvas.
50cm x 70cm.
This started as a purely experimental abstract piece, but evolved to include both abstract and surreal (i.e. representational) elements.