"If you're a goblin in need of a smoke, you know where to go" Part of a series I've started with monsters in the modern world, this is the digital work I've liked the most so far, but I'd appreciate feedback on anything I could improve on.
A week on from Artemis II coming back to Earth from the moon and only now do I do a proper lunar themed tribute to it all! It also gave me an excuse to buy another Palm Pals plush, so happy days to that :-)
I can grow my own garden. I did this drawing in a stillman and birn alpha sketchbook with a kuretake bimoji pen (+ the posca paint pen for the background). Thank you for looking!
My submission for the Doodle Addicts album cover challenge. Thank you so much for the votes, I appreciate them all! Here's the original description for the submission: Future you calling is a group that mixes electronic pop and rock with some vintage and retro vibes thrown in the mix. To Whom It May Concern is their newest album. It's like that strange record that you once found on the slightly shady flea market that closed down after one month. You wish you had bought it back then, so now is your chance to repair the damage and get this album instead. It's almost the same. We promise. (Future you calling is an invented band. I'm not musically skilled enough to make the band reality but I can always imagine how their albums would look like if existed. This illustration was painted in Photoshop using reference photos found on Pexels.)
A striking hand-drawn conceptual illustration featuring a brain wearing a colander like a helmet, titled "Selective Ignorance." This piece explores the conscious choice to filter out the noise of the world to protect one's mental clarity and focus.
I had this black cardboard lying around for quite some time so I finally decided to make something out of it. Went for a intense lighting on a horse silhouette because the cardboard is dark and well, because I really like horses. Hope you like it.
Sketch of a painting I'm thinking about. I think as adults, we have our own ambitions about living on the moon. However, once we have children, we can only yearn to be able to live on the moon with them.
"Facade" depicts the duality between constructed appearance and natural image. The old woman manifests societal idealization of beauty within her headpiece, burdened by the intricacy. Aesthetically pleasing symbols around her echo the notions of her manifested identity. This facade subconsciously contributes to continuing superficial values.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
