tan

This captivating ink drawing features a fantasy character standing still, deeply rooted to the earth and seamlessly merged with nature. Surrounded by a complex web of trees and plants, the figure embodies the essence of the natural world. In the background, a mesmerizing sunset casts a warm glow over abstract waves of clouds, creating a harmonious blend of light and shadow. This artwork symbolizes the profound connection between humanity and the environment, inviting viewers to reflect on the beauty of nature.

Inspired by my recent trip to Korea, which I intentionally went this season to catch the cherry/plum/peach blossoms. As I observed the zigzagness of the tree branches, I see in it the number of roads/mis-roads I had to take, as someone unfamiliar with the land, to get to a good bloom spot. Which kinda reminds me of life. I felt I just had to do this piece.

Pun play

With our words in sentences With our ideas in motion With our social customs in our lives With our practices and habits We force things upon ourselves and others Within each of these realms Instead of developing understanding Instead of searching for meaning Instead of exploring their functions And discovering the shapes that fit.

It's a quick digital recreation of my last gouache painting. And I don't like it very much. - I had trouble finding a good brush for painting leaves on the top of the tree. - There is no magic like in traditional art. - I didn't enjoy drawing as much as painting with gouache. - I couldn't peel off the tape when I was done.

Just a free request I made

acrílico y microfibra.

Continuous ink drawing of a figure walking a standing up dog.

From an old botanical book I found

This artwork was supposed to be a self portrait but it quickly turned into a more charming, awesome stylized portrait (not mine, obviously). This piece has a color scheme similar to midnight gospel and katana zero (video game), I have added the blue and pink color shades to make it a little bit interesting. To make things better, it would be very helpful if you could share your feedback or comment with me. Thanks. . . . . . .

Hunyd le a szemed,zárd ki a külvilágot. Merülj el mélyen magadban és találd meg lelkednek virágát,amit aztán hagyj kivirágozni. Így nyugalomra és lelkibékédre lelhetsz ,ebben a zajos világban... Írta és festetette Ildikó Tuloková

A sketch of my OC , Nicholas Constantine Saint.

This one is okay I guess....It's nothing but a satanic romance.

All 3 of my favourite characters together in their winter outfits!!

Wild and beautiful

a six-foot scissors is all you need

I entered this one in the pre/post quarrantine challenge but it is part of my new journal. which will be full of flowers and flower quotations. Using Derwent inktense pencils.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Artists from the planet Earth believe that inspiration is an inner energy that gives them ideas, mental power which strengthens the will to create a new work. We Assheads from the World of Fantasy, we know that inspiration is a living being that manages the actions of artists, states them to actions that normal man would not do. We consider the coming of inspiration - to a reasonable extent - good for creativity, but if the inspiration gets us in a firm hug and does not give up, it can have a devastating impact on the individual. In such instances, inspiration shows their other, insidious nature, about which little is spoken. Inspiration will, for example, propel artist - as the devil sinning soul - to constantly create, to eat is not thought, to be many nights sleepless, his sexual life can suffer, etc. Striking inspiration, such as a comet in the head, can, in some cases, result in a straitjacket, even death. We Assheads know that it is not wise to give advice to the artist struck by inspiration, warn him that there are still other joy and values in life. His inspiration closed his ears, he works with him as with a toy, so the artist could retaliate with aggression, considering that his personal freedom was compromised. For these and other reasons, we Assheads, marginal artists from the World of Fantasy, do not give special importance to artistic inspiration. - It's important to paint something, dance some dance, make some melody - says asshead Caci - - no matter what you create, there will always be someone stupid enough to see art in it.

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

This is a piece I drew for my dad. He's an advanced practice nurse on a rescue helicopter.

Fearful, in discomfort, rapid decaying manner, various creatures may go through such waves in life. To experience, to walk through and try to understand others, to help them. Humans are always in some sort of stress. The world is a very interesting place.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

Still a WIP, but I sketched this while on my lunch break at work. I have a 3d printed Crow standing on the head of a skull.

The forest nearby is full of baby banksias growing in poor gravelly/sandy soil which they do better in. The little one was growing on the edge of a gravel road.

HB2 Soft USA Titanium Pencil on Moleskin Lined Notebook

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