Réalisation du portrait de @ Laurent Bignolas dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. Laurent Bignolas est un journaliste, syndicaliste et animateur de télévision français dans l’émission Télématin sur France 2.
A piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands.
I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.
The only line added consciously is the hand. It leads the eye to the eye and thereby showing the viewers that it is in fact a figure. The shape on the right feels kind of right to be there, it really does not matter what it is. Compositional-wise , it works.
Starting a new sketchbook but that dreaded Blank Page is mocking my hopes and dreams again...seems the only way to beat it is to doodle about it and laugh....")
A few years back in the fall/autumn I collected lots of lovely red/yellow leaves and made a photo which I then manipulated in photoshop to create this illustration of gossips!
Mermay Day 23: Encourage hes like super sure he CAN do it, but maybe he doesn't need to PROVE he can do it... you know. maybe just knowing is enough....
A study / re-imagining of John William Waterhouse's Mermaid. I really overworked the paper on this one, and I wish I had chosen a lighter color to line her, but I love how she came out!
Digital painting on canvas of "Michel Onfray" in the manner of the praise of the approximation of the exhibition. This graphic and stylistic style is borrowed from the concept elaborated in the Praise of Approximation ": a painting to be reconstructed using the structure to which the perceptions are subordinated, highlighting the perceptual disturbances of perception. whose memory has been recorded in the brain of each individual.
Peinture numérique sur toile de « Michel Onfray » à la manière de l’éloge de l’approximation de l’exposition. Ce style graphique et stylistique sont emprunt au concept élaboré dans l’Éloge de l’approximation » : une peinture à reconstruire à l’aide de la structure à laquelle sont subordonnées les perceptions qui met en évidence les troubles de la perception liés à la manière dont le souvenir a été enregistré dans le cerveau de chaque individu.
This is one of my patriotic environmental posters. Protecting the environment in any way is a patriotic act because it safeguards the quality and beauty of the land we live on.
