Julia Ota, a Korean girl who was brought back to Japan during the Imjin Wars (1592-1598). She was adopted by one of the Japanese commanders, Konishi Yukinaga, and was baptized as a Christian in 1596. She eventually became a lady-in-waiting to Tokugawa Ieyasu, but was later exiled to Izu Islands for refusing to recant her faith. Wherever she went, she became admired for her charity and evangelism, and she was revered as divinity on the islands up after her death up to the 20th century.
This is kind of a sad one :/ but I thought it would be fun to draw some fan art :)! If you didn’t know, this is Powder from a show called Arcane! If you haven’t see it, I highly recommend you watch it :)!
P.S: She’s suppose to be sitting on her bed, but I thought it would ruin the background if I added it.
This Is a cousin to the Shoebill Stork, his name Is Bootstrap Bill. (My Imagination for this one Is through the roof, and I'm extremely funny right??) Hahah.....ahahah?... .... .
So I guess I had a Doodle addicts account!? Well I'm going to give it a whirl and see how it goes. He is my sample of my art. This is a portrait I drew of myself. Yes my forehead is that big lol.
The handsome Talenthalus, consort of the Queen of Magic and her personal guard. Defender of the realms, he is the only one to remain at the queen’s side when the war against darkness is lost and they must begin anew, over and over, cycle after cycle.
I love to come up with these mindless but interesting hard surface shapes and technical stuff. It has a meditative effect on me like drawing mandalas ^^ Inspiration comes from Tsutomu Nihei again.
This work is copyrighted, owned by William Thomson, this drawing was drawn by me with Adobe Photoshop software. I am also quite interested in the theme of fairy because it helps me recall memories of my childhood. When I was a child, I watched cartoon fairy tales. I do not want anyone to use my work please do not download, reproduce, copy, transmit or manipulate my work. Buy and sell art paintings, please contact me at email removedumtaodi@protonmail.com
Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
This is a drawing colored with crayons and brush pens. His colors and appearance was inspired by a wolf avatar I created on an app. I completely transformed the likeness of my wolf avatar and made him half human.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
